NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Open call: BD25 International Artist Exchange programme

21 Nov 2023 - 08:46

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Bradford Producing Hub, in partnership with the British Council, is inviting artists from Bradford, UK, or any international artists to submit applications for the International Artist Exchange programme between December 2023 and March 2024.

The application deadline is 30 November. Photo: Facebook

The programme is designed for artists from all disciplines who seek to learn how to take their work to global audiences and make new creative connections with artists worldwide. To accommodate the various time zones, specific times will be confirmed with the cohort once participants have been selected. The exchange is designed to strike a balance between learning about each other’s practices and gaining insights into the experiences of artists working internationally.

Delivered in partnership with Bradford 2025 and generously funded by the British Council, the International Artist Exchange is a unique online artist development programme uniting UK artists from Bradford with their global counterparts.

The programme will consist of:

  • Seven online workshop-style sessions each lasting around two hours.
  • Opportunities for online ‘Go & Sees’ where artists will watch a range of online international performance or digital work followed by group discussions.
  • Two ‘International Inspiration’ sessions with artists and companies currently immersed in extensive international work.

Examples of some of the session themes include:

  • International sensitivity: context and considerations, language and assumptions and anti-colonial practice.
  • My Practice, My Place: for artists to get to know one another and share their practices.
  • Partnerships and ways of working: making connections, building relationships and collaborating and co-creating across borders.
  • Negotiations and logistics: for presenting and touring work internationally including commissioning, communications, negotiations, costings, contacts, visas and permits.
  • International production: covering designing work for international presentation as well as production, technical, transportation and environmental considerations.
  • Support organisations and infrastructure: delivered by the British Council about strategic international networks, support organisations and their remits.
  • International ambition: space for the artists to reflect on what they have taken away from the programme so far and to start to define their own international ambitions

What will participants get out of the programme?

Through the programme, artists will:

  • Be creatively inspired.
  • Forge global connections with fellow creatives and gain insights into their work, values, and processes.
  • Find out about the different ways of working and the artistic environments across the world.
  • Explore avenues for potential international collaborations and learn how to initiate them.
  • Gain insight into the opportunities and challenges of working outside their home country.
  • Start thinking about international touring and the things they need to consider should they choose to incorporate it into their practice.
  • Though this programme is open to artists from all disciplines, there will be a focus on performance and live arts in some of the course content. This exchange will therefore be most relevant to artists interested in international partnerships as well as presenting and touring work around the world.

Eligibility

  • All applicants must be 18 years old or over.
  • UK artists must be living or working in Bradford, or from West Yorkshire with a demonstrable connection to Bradford.
  • International artists can be from anywhere in the world, though priority will be given to countries eligible to receive ODA funding.
  • The programme will be delivered in English.
  • Participants must have a good understanding of spoken and written English.
  • The programme will be delivered entirely online.
  • Participants must have access to appropriate equipment to connect via Zoom and an adequate internet connection to sustain engaged participation including the use of a camera and microphone. Participants who have any access requirements due to a disability, should alert the organisers through their applications.
  • Applicants must be able to attend all the scheduled sessions
  • The sessions will take place between January and March 2024. The dates will be confirmed in an agreement letter with successful applicants upon receiving an offer of a place.

“Following our appointment as Bradford 2025s cultural capacity partner earlier this year, we’re excited to announce our first partnership programme designed to connect artists from Bradford and across the world in an exciting online international exchange programme,” a statement reads. “As we embark on the journey to become the UK City of Culture 2025, we’re offering a unique opportunity for up to 15 Bradford artists and 15 international artists at any stage of their career. Our International Artist Exchange programme will prepare artists to take their work to new global audiences for the first time and provide and nurture new international artistic collaborations.”

Interested applicants should apply here before 30 November.

View the original call here.

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