NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Open call: Goethe-Institut Project Space 2025

03 Jul 2024 - 14:58

cc-img flag-img

Goethe-Institut in South Africa is inviting artists to submit proposals for the 2025 Project Space (GPS) fund.

South African poet Lelethu Mahambehlala participating in a GPS project in Hamburg, Peddie, Eastern Cape, in February last year. Photo: Lihle Menziwa

The application is open from 15 July until 15 September 2024. The GPS programme grants seed funds of up to R105 000 (about $ 5 700) per project to four artistic projects that are realised in rural and peri-urban parts of South Africa, Lesotho and eSwatini between February and November 2025.

The Goethe-Institut set up this grant to support art professionals from across South Africa who collaborate with cultural or public spaces and engage with the people in the areas where these spaces are located. For the first time since its existence, the call is extended to arts practitioners from the neighbouring countries eSwatini and Lesotho.

The GPS programme is designed to support artistic projects that are engaging with communities outside the big urban centres and are focusing on the production and/or facilitation of artistic content.

What’s needed in the application

All necessary materials and information will be asked for in the application form.

The following information and materials should be prepared by you in order to fill in the application:

Mandatory:

  • A short synopsis of your project (200 words max).
  • A detailed project description (1 000 words max).
  • A short paragraph about the projects’ objectives and means how they will be met (200 words max).
  • A project timeline including realisation plan and promotion strategy (500 words max).
  • Short biographies/descriptions (500 words max) of all involved parties (artists, collaborators, space/venue etc.).
  • An agreement form signed by all artists, collaborators and spaces involved in the project.
  • A budget plan outlining the estimated costs (expenditure) and planned income for artists’ project

Optional:

  • Supporting material/references of previous work (e.g. press reviews, visual documentation). No reference letters are needed. Applicants should upload up to three files and three website links.

Eligibility

  • Only projects of a non-commercial nature will be considered.
  • The Goethe-Institut offers financial support for chosen projects to the maximum amount of R105 000 per project. Should the project budget exceed this amount, the artist/project team should seek further support from other funding institutions, donors or sponsors – information of which should be included in the budget plan.
  • The proposed space has an established track record, operating for at least one year and professionalism evident. The profile of the space must be such that realisation of the proposed project is viable.
  • A clear and viable realisation/project plan is mandatory.
  • The signed collaboration agreement outlining the form of commitment from the space is essential.
  • A clear idea on how the project engages with communities, preferably outside South Africa’s big urban centres, must be part of the project proposal.
  • Projects taking place in Johannesburg, Cape Town or Durban will not be considered. Collaborations between practitioners, collectives or spaces that are based in the rural and urban areas are welcome.
  • Only one project proposal per artist will be considered by the jury.

Evaluation or criteria of proposals

  • The project demonstrates artistic quality and cultural relevance and demonstrates rootedness in the respective local community.
  • The project application has met the deadline and documentation is complete.
  • Realisation plan, budget outline and partners/infrastructure are coherent and realistic for achieving the aims of the project.
  • The project is feasible within the planned project period and takes place in 2024.
  • A complete and realistic budget plan that outlines additional support in the case that a project’s budget exceeds the GPS total budget per project of R105 000. This is particularly important with large/ambitious projects, where eventual realisation may seem unlikely with inadequate funding.
  • The work is appropriate for the space and audience and reflects what the artist/project team is aiming to achieve.
  • The proposal illustrates that both artist(s) and the space where the project will take place are able and willing to support the project from start to finish.
  • The project and the proposed space in which it will be presented need to operate in partnership with each other.
  • The partners need to take into account all conceptual concerns and manage all logistical tasks.

Interested artists should apply here from 15 July to 15 September.

“We also welcome projects that deliberately foster collaboration and exchange between rural and urban spaces, and projects that seek to build partnerships with a specific community or arts space,” Goethe-Institut said. “We are explicitly not looking for social cohesion or social development projects. Such projects are not eligible for funding through GPS. This grant specifically intends to support professional arts and cultural production. Projects that solely take place in urban centres (e.g. Johannesburg, Cape Town, Durban) will also not be considered.”

View the original call and previous projects here.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media