NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Open call: PRS Foundation’s Composers’ Fund

29 Sep 2023 - 10:45

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Applications are currently ongoing for Round 2 of PRS Foundation’s Composers’ Fund.

Senegalese kora virtuoso Seckou Keita is a 2022 PRS Foundation Composers’ Fund grantee.

The fund is an opportunity for composers with a strong track record, giving direct access to funding at pivotal stages in their careers.

A contribution of up to £8 000 (about $9 800) to £15 000 is available to composers who are already making a significant cultural contribution in the UK and have the potential for greater impact in the UK and overseas.

Last year, Senegalese kora virtuoso Seckou Keita was named among the programme’s grantees.

Eligibility

  • Composers working in classical music with a strong track record in their field who are at a point in their development where access to funding would make a significant change to their career.
  • Composers who are making a significant cultural contribution in the UK and an impact overseas.
  • Composers writing primarily for live performance.
  • Composers must be based in the UK and a member of PRS for Music.
  • Composers who demonstrate critical acclaim and who have tangible potential to achieve a further significant profile.
  • Composers must be working in classical music genres (including but not limited to classical, contemporary classical, dance, opera, sound art, Indian classical).

Who can apply?

Composers applying for the Composers’ Fund must be at a crucial tipping point in their careers, showing current progression and growth as a composer with the potential to significantly develop their careers over the next two years.

Applications can be made by composers’ directly or by representatives of the composer. Those who can apply on behalf of an artist are:

  • Manager
  • Booking agent
  • PR
  • Trusted advisor to the artist

The deadline for application is 9 October at 6pm GMT.

NOTE: Any resulting grant offer is made to the music creator. Authorised representatives can in effect project manage funded activity. However, should there be a change in team around the artist or should the funding support not reach the music creator, the PRS Foundation would reclaim monies paid/owed in order to ensure that the funds are used solely for the purposes outlined in the application directly for the benefit of the music creator.

How much can music creators apply for?

Applicants will be able to apply for funds between £8 000 to £15 000. Proposed costs must be clearly presented and the average grant will be below the upper limit.

What can be funded?

Applications will be considered on a case-by-case basis and composers are invited to propose anything that would make a significant difference to their long-term development. This, for example, might include the following areas or others:

  • Recording
  • Promotion/performance of existing works: to get existing pieces performed again/toured in the UK and internationally.
  • International co-commissions: assistance for composers to establish relationships with commissioning bodies overseas.
  • International development: travel to build relationships or spend time overseas, working with festivals or ensembles.
  • Performer collaboration: time to work more closely with performers.
  • Residencies/sabbaticals: with clearly defined artistic end result(s).
  • Project or promotional support.
  • Childcare costs.
  • A combination of any of the above.
  • Anything a composer can make a valid case for.

What can’t be funded?

  • Organisations seeking funding for commissions via a composer applying on their behalf.
  • An investment where the composer has not made clear how there will be potential for a step change in their profile.

For more information, contact [email protected].

View the original call here.

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