NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Panamusiq’s Pierre Bae releases debut single Danser

24 Oct 2016 - 11:47

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A debut single is a defining moment in a singer’s career and this is no exception for Cameroon’s Pierre Bae, aka Mboadiva.

Cameroon up and coming artist Pierre Bae. Photo: Pierre's Facebook page.

Born in Yaoundé, Pierre showed a passion for music at a very early stage. However, stepping into the music industry was a hard task, mainly due to family reasons. She thus opted to pursue journalism. Music however was always with her and since 2013 she has hosted some of Cameroon’s top rated music radio shows.

On 21 October the fast rising star released the audio to her debut single ‘Danser’, a song which she says celebrates life amid the day-to-day challenges. Speaking to Music In Africa via email, Pierre says the songs is inspired by her experiences in life. “As every human being, there have been some hard times I have been through in my life, whether they are big or small, they are quite enough to remind me that I am still alive and still have the opportunity to work hard for a better life,” Pierre remarks.

She is excited to be venturing into music at a time when the Cameroon music scene is witnessing a revolution. “Three years ago, I would have told you that there’s no real music industry, because everything was still outdated. But today, we are seeing a real revolution of the urban music in Cameroon,” Pierre opines. She further notes that there is good news for up and coming artists like herself as the industry is still evolving and we can artists can see considerable and encouraging progress.

‘Danser’ was released on various radio stations in various countries prior to its worldwide release on Friday by Africa’s leading digital music company Africori. The song was produced by WillBeatz.

In July 2016 Pierre was signed by Tanzanian based artist management company Panamusiq giving her the first steps towards developing a music career. “We have a Pan-African vocation and our plan is to sign artists from across the continent. We are looking for multi-talented artists with a great voice, look and personality, Michele Baldini of Panamusiq says. She says Pierre approached the company through social media and they were impressed by her voice. “We believe she has a great potential also because she has vast experience with radio and TV as well as organizing events so she understand what happens in the music industry.”

Pierre is Panamusiq’s first signing from Cameroon. Even though the company has not yet identified any more talents from Cameroon, Michele says Panamusiq is scouting in West Africa and Southern Africa in line with its objective of having the first truly Pan-African roster on the continent.

For Pierre, who has previously worked as a host on various radio stations in Cameroon, her eyes are set on developing her music career. “I want to focus on my music now, even though I am still a media personality.”


Pierre’s new single is available for purchase on iTunes.

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