NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Peter Gabriel pays tribute to Geoffrey Oryema

26 Jun 2018 - 12:07

cc-img flag-img

Musicians, industry players and fans have paid tribute to legendary Ugandan musician Geoffrey Oryema who died on Friday aged 65.

The late Ugandan musician Geoffrey Oryema.

A statement by family spokesperson Gerald Omony said the singer died in France after a long battle with cancer.

“The family of Erinayo Oryema wishes to inform you with deepest sorrow the sudden loss of their beloved uncle, an internationally renowned Ugandan musician, Ladit Geoffrey Oryema, that occurred this afternoon in France where he was resident,” the statement said.

Condolences have poured in from around the world, including from English musician and co-founder of Real World Records Peter Gabriel.

“I was very upset to learn of Geoffrey Oryema’s death,” Gabriel said on his website. "Geoffrey was one of the original artists on our label and one of the most loved. It feels as if we have lost one of our original family members and although Geoffrey went his own way in recent years we always felt he was a Real World artist.

“With his rich low voice and beautiful songs he could mesmerise audiences whether in a small club or Wembley Stadium. He has shown great courage with all the struggles he has had to deal with in his life.”

Oryema released his first album Exile, known for songs such as ‘Land of Anaka’ and ‘Makambo’, with Real World Records in 1990.

Kenyan musician Ayub Ogada, who had worked with Oryema before relocating back to Kenya, was unaware of the singer’s death at the time Music In Africa contacted him at his home in Nyahera village.

“I am saddened by his death because he was not just someone I worked with but also a dear friend. He liked to experiment with music from around the world."

Ogada said he met Oryema in 1988 after joining Real World Records courtesy of Gabriel, who later paired them up for performances across Europe.

“Oryema was always keen on promoting Acholi music,” Ogada said. “We worked well together because we all played traditional instruments. But it is unfortunate that we never got much recognition in Africa. It is a great shame that we as world music artists have to go to Europe and make a name for ourselves before we are celebrated by our own people.”

Ogada said Oryema always wanted to play in his fatherland despite the popularity he had attained in Europe. “His heart was always set on performing in Uganda. I knew it would take time for him to return home because he witnessed the death of his father and that brought a lot of sour memories.”

Oryema went into exile in 1977 after the killing of his father, Erinayo Wilson Oryema, who was a cabinet minister in the government of Idi Amin. Erinayo was allegedly killed on Amin's orders and the 24-year-old Geoffrey was smuggled out of the country in the trunk of a car into Kenya before relocating to France for the rest of his life. In 2016, almost 40 years after going into exile, Oryema returned to Kampala where he performed and reunited with family and friends.

“His death has come as a shock because I was sure that after his first visit he would frequent Uganda more often and we would meet,” Ogada said. “I wish I would have been able to travel and see him when he invited me in 2016 but it was on short notice. It would have been a great reunion.”

Apart from Ogada, Oryema also worked with Congolese musician Lokua Kanza, who said: “It was an incredible experience working with Geoffrey. I worked on his Night to Night album, which was a great success.

"We have lost a great artist and I am deeply grateful for the music I created with him. My prayers and condolences go out to his family and to the Ugandan nation.”

Oryema’s music has been featured in several films including Un Indien Dans La Ville (1994), Bedazzled (2000), I Dreamed of Africa (2000) and The Last Face (2016).

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media