NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Koswe Mumpoto

pilAto: No freedom of expression in Zambia

06 Feb 2018 - 16:20

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Freedom of expression remains a worrisome subject in most African countries prompting most artists not to freely express their opinions through music. Music plays a significant role in people’s lives. Musicians use it as a medium to express themselves and to define who they are. But strangely most artists cannot freely put all their ideas into their music for various reasons, stemming from a wide variety of motivations such as moral, political, or religious reasons.

pilAto says he was threatened by the ruling party's thugs.

In Africa, politics plays a big role in muzzling and intimidating musicians. Some governments are on record for creating draconian laws that are bent on silencing artists. Zimbabwe is a good example where exiled chimurenga musician Thomas Mapfumo fled the country for the US in 2005 when his music caught the attention of the then Zimbabwean president Robert Mugabe’s government through his ‘Hokoyo’ (Watch out) song. Mapfumo who has been in the US for more than a decade recently said he will coming back to Zimbabwe following leadership change late last year.

In a related incident, Zambian hip hop artist pilAto fled the country two weeks ago to an unknown destination when his song ‘Koswe Mumpoto’ (Rat in the Pot) was perceived as critical to President Edgar Lungu’s government. But Zambian high commissioner to South Africa Emmanuel Mwamba reportedly refuted that the musician was threatened. "There is no threat whatsoever being unleashed against the artist. There are no threats at all either from the government (Zambia), the ruling party or state security organs,” Mwamba told CAJ News Africa.

Born Fumba Chama, the award-winning humorous artist, whose music is highly influenced by his rough upbringing, spoke to Music In Africa about his ‘Koswe Mumpoto’ song, intimidation, the state of freedom expression in the country and his relationship with President Lungu’s government.

MUSIC IN AFRICA: Reports say you fled the country after releasing ‘Koswe Mumpoto’. Is this true?

pilAto: It is true that I left Zambia because my life was threatened after releasing the ‘Koswe Mumpoto’ song. I am out of my own country because I want to stay alive and unharmed.

What is the song all about?

The song talks about a type of leadership that steals instead of serving those that entrusted them the leadership. It’s a song about a self-serving type of leadership. The song is satire, it’s an analogy that represents leaders that behave like rats.

How has been the response of the song since its release?

The response has been great. I am grateful for the support I have received.

Where are you hiding and how long will you will be out of Zambia?

I am within the borders of Africa and will surely be returning back home soon. I plan to get back as soon as I confirm my safety.

What’s the state of freedom of expression in your country?

The current leadership appears to be so committed to taking away freedom of expression from anyone who disagrees with either the government or the political party that is in power. Anyone who expresses a divergent view risks losing their job if they are civil servants or imprisonment. In the past we have had a student who was arrested for opposing the arrest of the leader of the opposition party. Recently a certain doctor in western province was convicted for three years for expressing his views. I have personally been arrested for protesting against a scandalous procurement of fire trucks at a much exaggerated price.

Reports say you were threatened. Did you report to the police and what was their response?

I was threatened by the ruling party's thugs who have been behind several political assault crimes. I did not report to the police because the police have lost their power to these thugs who even brutalise and hack people even at the police station.

Do you think president Lungu accepts criticism from musicians?

I have no evidence that he does accept criticism from anyone. I am so sure he doesn't even accept criticism even from himself.

Will you continue releasing songs that critic the government?

Yes of course I will. As long as we are not the best country in the world I will continue contributing to the betterment of my country through music.

What’s your message to fellow artists and the Zambian people regarding the state of affairs in the country?

I would like them to search their hearts and live the things they believe.

What should the government do to improve the state of the music industry in your country?

The best place is to invest in the sector and formulate policies that would benefit the state and the artist. The industry lacks modern and necessary infrastructure to adequately sustain the music industry. Anti-piracy laws must be reinforced so that government can benefit more alongside the makers of music.

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