NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Rand Show 2026: Kelvin Momo, Morda and Nkosazana Daughter light up Joburg showcase

08 Apr 2026 - 15:09

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Johannesburg’s Rand Show 2026 returned with a strong musical focus, drawing large crowds for headline performances from Kelvin Momo, Morda and Nkosazana Daughter. The annual event once again blended live music with industry showcases, reinforcing its position on the city’s cultural calendar.

Live musical performance at the Rand Show 2026.

The programme spanned amapiano, Afro-fusion, jazz and live band performances, reflecting the breadth of South Africa’s contemporary music scene. Kelvin Momo delivered a smooth, soulful amapiano set that kept audiences on the dancefloor, while Morda brought high-tempo energy and a commanding stage presence. Nkosazana Daughter offered a more emotive performance, anchored by powerful vocals and controlled delivery.

Live acts added further variety across the stages. Mr Keys and Soweto’s Finest delivered polished Afro-fusion and pop-influenced sets, while the South African Navy Band, part of the South African National Defence Force (SANDF), presented a mix of jazz, classical and Afro-pop that appealed to a broad audience.

Technical execution across performances was largely consistent, with strong sound delivery and coordinated lighting enhancing the overall experience.

Beyond the music programme, the event also featured industry-focused activations. ROCKA FM, a Johannesburg-based online radio station, hosted a live broadcast demonstration offering insight into radio production and operations. Station manager Bondo Ntuli reflected on ongoing shifts within South African radio, pointing to increasing fragmentation as stations target niche audiences.

Community broadcaster Newtown Radio also participated, highlighting youth development and media training initiatives. Technician Wilson Machete emphasised the importance of expanding opportunities for emerging talent within the sector.

While the music programme remained the main drawcard, some industry observers noted limited participation from broader music business stakeholders, which may have reduced opportunities for deeper audience engagement with the commercial side of the industry.

Despite this, the performances were widely regarded as the highlight of the weekend. The contrast between Kelvin Momo’s melodic soundscapes, Morda’s energetic delivery and Nkosazana Daughter’s vocal intensity underscored the diversity of South Africa’s current music landscape.

With strong attendance across the weekend, Rand Show 2026 reaffirmed its role as a key entertainment fixture in Johannesburg, combining live performance with glimpses into the wider creative and broadcasting ecosystem.

Contributer: Sisi Nkabinde

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