NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Rap Life: Ebro Darden in South Africa

27 Jan 2020 - 14:45

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By Apple Music

Apple Music’s global editorial head of hip hop and R&B, Ebro Darden, a long-time champion of music and artists emerging from across Africa, recently visited South Africa as part of his ongoing exploration of the continent.

South African rapper Sjava chatting with Ebro Darden.

During his visit, he spent time with some of the nation’s most gifted young artists in Johannesburg and Cape Town, experiencing the origins of their sound and the landscape that shaped who they are as artists, documented in Rap Life: Ebro in South Africa, a nine-minute special that launched on Apple Music.

“I was blown away by my experience in South Africa,” Ebro said. “As it continues to define its future as a nation, hip hop music, which is being released from every community and cultural group in South Africa, is helping shape this future. For me it was enlightening to be able to learn more about today’s hottest South African hip hop artists and where they have come from. I’m excited to help tell their stories and those of other great artists from across the continent to the world.”

Ebro walked through Johannesburg’s Kwa Mai Mai Food Market with Sjava, who mused about his love for the streets: “You still have your own family, but the people who will look out for you and support you most of the time – it's guys that you'll find on the street. I'm where I am because of them." The two discussed his contribution to the Black Panther soundtrack with the remarkable track ‘Seasons’.

On a similar theme, Shane Eagle took the host of Rap Life on Apple Music’s Beats 1 on a tour of Rabie Ridge – the streets where he grew up – and reflected on the concept of bringing fresh inspiration to the nation’s youth. Ebro's investigative musical journey then led him southward to Cape Town, the original birthplace of South African hip hop, where he met YoungstaCPT, the 'Voice of the City', at his Y?GEN Apparel Store in Wynberg, where he discussed politics, authenticity and educating his audience.

“Coloured guys adopted hip hop first in South Africa. Because of groups like Afrika Bambaataa, Public Enemy and N.W.A those messages were filtering through to us down here, because the experiences were so similar – with the army and the government and riots. So the music was adopted very early here,” YoungstaCPT said.

With Ebro constantly shining the spotlight on the hottest artists from the African continent, his tour of the nation highlighted the growing impact of African artists globally. Darden’s interaction with some of South Africa's top musicians promises much for the country's flourishing urban music scene. His exposure to rising talent also serves as an opportunity for South African artists to appear on Apple Music's Rap Life playlist.

Ebro has featured the likes of AKA, Nasty C, DJ Tira, Elaine, Tshego, Davido, Tiwa Savage, Wizkid and Burna Boy, among others, on his daily Beats 1 show on Apple Music, which broadcasts from Monday to Thursday at 12pm in Los Angeles, 3pm in New York and 8pm in London, and as the host of Rap Life on Fridays at 10am in Los Angeles, 1pm in New York and 6pm in London.

Listen live for free or on-demand at apple.co/B1_Ebro and apple.co/B1_RapLife.

Watch Ebro Darden talking about the South African hip hop scene here.

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