NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Read full RiSA response after KZN cancels SAMAs funding

26 Oct 2023 - 08:31

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South African Music Awards (SAMAs) organiser the Recording Industry of South Africa (RiSA) has responded after the KwaZulu-Natal (KZN) provincial government rescinded its decision to fund the upcoming awards show, which was scheduled to take place at the Durban International Convention Centre on 17 and 18 November.

RiSA CEO Nhlanhla Sibisi.

RiSA and the African National Congress-led KZN Department of Economic Development, Tourism and Environmental Affairs had signed an agreement to host the awards for the next three years. But opposition parties the Democratic Alliance and ActionSA raised concern about the budgetary implications of hosting and funding the awards to the tune of R20m ($1m), or more, which would be redirected from other provincial budgets, according to news reports.

This was followed by South African President Cyril Ramaphosa intervening thorough his spokesperson, requesting the KZN government to reconsider hosting the awards.

The KZN Economic Development, Tourism and Environmental Affairs department, which is headed by member of the executive council (MEC) Siboniso Duma, had previously asserted that the SAMAs would generate $350m by hosting the awards, but the opposition had a hard time believing that that would be the case, prompting ActionSA to petition Ramaphosa to get involved.

The provincial plan became public after a treasury memorandum questioning the spending – which would include R3m for goody bags, an R11m broadcast fee and R6.5m for a gala dinner – was leaked to the media, the Mail&Guardian newspaper reported.

“In MEC’s report to premiers, the president does not get involved in the day-to-day running of provincial departments,” Ramaphosa’s spokesperson, Vincent Magwenya, said. “However, the president did advise MEC Duma against such spending in the interest of maintaining fiscal discipline.”

RiSA responds

After the decision to cancel the awards in the KZN, RiSA circulated a response to the media on behalf of its CEO Nhlanhla Sibisi. Music In Africa has opted to publish the full response below:

The Recording Industry of South Africa (RiSA), the organiser of the SA Music Awards (SAMA) learnt with disappointment this morning [25 October] of the eleventh hour decision by the Department of Economic Development, Tourism and Environmental Affairs (EDTEA) in KwaZulu-Natal to withdraw from SAMA29.

We have a three year contract with EDTEA and will be consulting with our contractual partners, to find out what led to this decision and carve a way forward. As such, we will advise in due course what the next steps for SAMA29 will be.

The SAMA remains the largest, most prestigious, inclusive and representative music awards event in the South African music landscape. We continue to attract considerable attention and support as well as market-leading viewership among televised music awards shows across the continent.

We note with dismay that a prestigious, credible and apolitical national cultural asset that has been in operation for 29 uninterrupted years, longer than any other award ceremony in South Africa and the continent, has been characterised as a conduit for looting. This is an assertion that we as RiSA strongly rebuke. It is problematic that an institution of great importance to the pulse of our cultural economy has been violated for cheap politicking.

What has been lost in all of the resultant noise are the economic benefits of hosting a show of this magnitude for any city or province. The SAMA is not a superfluous party, any such assertion flies in the face of the contribution made by the SAMA to the Mzansi Golden Economy. It stood to benefit the creative sector as well as to ignite a number of other economies including tourism, hospitality, retail, transportation and the informal sector.

The SAMA was going to directly create over 150 new job opportunities and over 100 musicians and practitioners would have performed across the SAMA29 programme which included the nominees announcement, regional and national activations, public viewing area, non-broadcast awards as well as the live broadcast show. Further to these events, affiliate partnerships with outlets across the province were being concluded to stage pre-parties that would have created the opportunity for at least a further 20 local and SAMA nominated artists to perform.

As it stands, the SAMA alone was in the process of confirming up to 350 rooms per night across various hotel groups between 12 and 20 November 2023. These hotel groups would have further benefitted from providing accommodation to the estimated 3 500 to 4 000 South African music supporters business who would have visited the province from across the country, the continent and the world.

Many numbers had been bandied about as the alleged sponsorship amount from EDTEA and we wish to categorically state that none of them were a true investment made by the department. In addition to a provincial sponsorship which was not sufficient to cover all the production, eventing and promotional needs, the SAMA still had to solicit and rely on the generosity of commercial sponsors in organising this proudly South African annual event.

Contrary to spurious allegations, our conversation with the City of eThekwini had been on infrastructure and logistics support and did not include any financial contribution.

We are thankful for the support shown by the government of KZN to our industry that was hardest hit by the devastating Covid-19 pandemic and other calamities such as floods, as well as a tough economic environment our practitioners find themselves in. Unfortunately, the net losers in the sudden turn of events are the musicians and creatives who oftentimes receive the short end of the stick.

RiSA remains committed to the cause of musicians and putting them first. We look forward to celebrating these gallant South African heroes of song and dance at an event that befits their stature.

The music industry continues to prove its tenacity and resilience and will recover from this setback. We are proud of our musicians who are making strides on international stages as cultural ambassadors exporting our unique and vibrant craft.

Further information will be shared on the future of SAMA29. We are thankful to our partners and sponsors who continue to put their vote of confidence in the arts.

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