NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

The return of the “Rainmaker” Majek Fashek

08 Dec 2014 - 08:36

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A report on performance by Nigerian Reggae Superstar- Majek Fashek at the Lagos Jazz series Concert on Friday 28 November 2014.

Majek Fashek at the Lagos Jazz Series Festival. Image: Courtesy of Pulse Nigeria

The Lagos Jazz series Jazz Festival had been well publicised in the Nigerian press, in the lead-up to its take-off on Friday 28 November 2014, with stars Ola Onabule, M.I, Jesse Jagz, Seun Kuti and the returnees Wrinkars Experience, hyped up to the rafters. However revellers at the Muri Okunola Park, Victoria Island, Lagos were to be presented with a surprise early Christmas present, the return of one of Nigeria's most loved Music legends, the Reggae superstar Majek Fashek.

Majek's recent challenges have been well-publicised, with his deteriorating physical and mental health condition in recent times, posing concerns for his teeming army of fans. This may indeed have been the motivation for the caution exercised by the organisers of the event in promoting his performance before-hand. However when he was announced at about 10pm on the day, the crowd were presented with a fired up musical warrior, who seemed to give lie to a lot of the doubts expressed about his readiness to perform.

Fashek, though still showing a few physical and vocal signs of his recent difficulties, left the audience in no doubt as to his readiness to take the stage by storm and seemed almost transformed once he launched into his musical catalogue. He kicked off with his hit "Genesis", drawing the crowd to the stage front, and kept them transfixed and singing along to his massive song-list, spanning 27 years of an incredible career.

Majek delivered a belter of a performance when he performed his cover of Bob Marley's hit "Redemption song", and his own hit "Mother". He interspersed his performance with reminiscences in conversation with an adoring audience. There was of course one moment when the organisers may have had cause to worry, when he peeled off his jacket and shorts, standing bare-chested. However it was a false alarm, he was simply hot..in all senses of the word! The performance reached its crescendo with a sublime performance of his greatest ever hit "Send down the rain" which moved many in the audience close to tears with the feeling he infused into it, as well possibly, private recollections of the legend in his hey-day, 25 years ago.

Altogether this was a triumphant performance from one of Africa's finest Reggae artistes, and kudos are due to his management team and indeed Carl Raccah of Mission Control Nigeria, for the faith in the man, which he justified hunred-fold. Music in Africa says welcome back Rainmaker, we have missed you and believe there is more where that came from.

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