NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Review: Lake of Stars Malawi Arts Festival 2025

20 Oct 2025 - 05:39

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From 17 to 19 October, the 2025 edition of Lake of Stars Malawi Arts Festival returned to the shores of Fish Eagle Bay Lodge in Nkhotakota. What began as a tiring five-hour journey from Lilongwe Airport, prolonged by Malawi’s ongoing road construction projects, was quickly forgotten upon arrival. The tranquil beauty of Lake Malawi and the warmth of the Malawian people set the tone for a festival that celebrated art, culture and community in equal measure.

Djembe Monks.

The event reflected the essence of Malawian culture while embracing a pan-African and international spirit through performances by artists from Zimbabwe, South Africa, the Czech Republic and other countries.

Opening night: Zimbabwe shines

Festivities began on Friday, 17 October, with an energetic performance by Zimbabwe’s Afrocentric dance duo Djembe Monks, whose rhythms and stage presence immediately captivated the crowd. Their set could easily have been placed on the busier Saturday line-up, given the electric response they received.

The night continued with a traditional dance performance by Tamba Africa, followed by Zimbabwean percussionist and Afro-house artist Wowrae, whose dynamic set elevated the energy further. Local stars Madalitso Band, Driemo and DB Step closed out the Mangelengele Stage with crowd-pleasing performances that left the audience buzzing.

Meanwhile, the Gologolo Stage, dedicated to DJs, stayed alive with sets from Nyenyezi, Aux265, Hype, Wayne, Skappa and others, offering festival-goers a diverse musical experience deep into the night.

Saturday: A night of musical fusion

Saturday, 18 October, saw larger crowds as more festival-goers arrived from across Malawi and neighbouring countries. DJ Maaz kicked-off the night at the Mangelengele Stage, paving the way for performances by Manyasa Band, Amahoro Drummers, Zebra Band, and singer Hazel Mak, who teased songs from her forthcoming album. Felix Flavour and others maintained the night’s vibrant pace.

Over at the Kweza Space, audiences were treated to a refreshing blend of classical and contemporary music. Czech opera singer Zdenka Kotova and South African pianist Richard Rheeder delivered an elegant set that stood out for its rarity in the African festival circuit. Kotova’s rich vocals and Rheeder’s delicate accompaniment filled the venue with a sense of impressiveness.

The space also featured performances from Kayz Adams, Rabson Mpotandevu, Britt Cee, and Chimtengera, reinforcing the festival’s commitment to diversity and creative expression.

Final day

Sunday, 19 October, marked the festival’s conclusion, with all three stages hosting an array of performances that highlighted Malawi’s musical depth and regional collaboration. Acts such as Agorosso, Flaming Maize, Lucky Star Band, Raven Duchess, Patrick Chimbewa, Matt Alegeo, and The Daughters Band brought the event to a celebratory close.

Lake of Stars Malawi Arts Festival 2025 offered more than just live performances. The festival hosted panel discussions on topics such as Music Business, Roots & Rhythm, and Green Beats & Festival Economy, featuring industry experts including the founder of the NPC Music Exchange.

Workshops and fringe events complemented the programme, including an instrument-building session led by Patrick Chimbewa and Aliddeki, film screenings, and folklore and comedy sessions with Zahir Ray and Dee Satha. Spoken word performances by Refilwe, Jane Sanenje, and Andrew Bocagone added literary depth to the cultural celebration.

Before the evening showcases, German artist Elias entertained festival-goers with his Soap Bubble Show, a visually family-friendly act that blended performance art with playful spectacle.

Outside the stages, the natural setting of Lake Malawi provided an idyllic escape. Attendees swam, cruised on boats, and relaxed along the beach, merging leisure with culture in true Lake of Stars Arts Festival Malawi tradition.

Despite logistical challenges such as travel infrastructure, the festival’s spirit and organisation ensured that the journey was more than worth it, a reminder that Malawi, with its lake, its people, and its art, remains the “warm heart of Africa.”

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