NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Review: MTN Bushfire Festival 2019

31 May 2019 - 12:55

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This year's festivities kickstarted with the MTN Bushfire Schools Festival on 22 May 2019. It was all great to watch students showcasing their talents on the MTN Bushfire Stage with great energy. This MTN Bushfire Schools theme was Child Social Protection. The Festival was supported by the MTN Bushfire Foundation and the European Union.

South African musician and dancer Moonchild Sanelly at the 2019 edition of MTN Bushfire Festival. Photo: Jonathon Rees

Camping opened mid-day on Thursday, and early campers were welcomed into a warm up evening session at Malandela's Restaurant with music from DJ Bob and DJ Bubbles.

The Round Arts Table Beyond Borders Workshop

This year's workshop was held at the Eswatini MTN Headquarters (Mahlalekhukhwini House). Artists, art executives, promoters and sponsors were all present for the workshop, which started with registrations at 08:00 AM. This year's objective of the workshop - of advancing and facilitating Arts Mobility within Africa - was in alignment with the Moving Africa programme of the Goethe-Institut Johannesburg, MTN Bushfire and IGODA.The Arts Round Table – Beyond Borders Workshop was designed to increase knowledge and skills in the artistic community, thus enabling individuals and organisations to succeed as professionals in the artistic and entertainment field.

The program started with an in-depth look at the IGODA Southern African Music Festival Network and the opportunities it creates for regional linkages and partnerships. The programme also explored new music markets and events across the continent.

This year’s Arts Round Table – Beyond Borders workshop had over 60 local industry players, who took part in panel discussions, networking and exploring mobility opportunities with a range of international guests including festival, venue and music market directors, amongst other professionals. A host of various festivals and music market directors from across east and southern Africa took part in the workshop, including Paula Chibanga from Mozambique’s Azgo Music Festival, Sphe Mbhele from The Music Imbizo in Durban, Herman Kabubi from the Doadoa Music Market in Uganda, Yusuf Mahmoud from Sauti Za Busara in Zanzibar, Sinamandla from South Africa’s Moshito and Maria Wilson from Zimbabwe’s HIFA.

Various topics to empower upcoming local musicians were discussed, including "Exploring the IGODA Model and other opportunities for Creating Regional Linkages, Regional Associate Partnership" presented by festival directors Jiggs Thorne (Bushfire), Paulo Chibanga (Azgo), Moshitos representative Sinamandla Kwepile and KZN Music Imbizo's Sphe Mbele.

Presenting the topic "Exploring New Markets - Events/Music Markets/Venues/Festivals" were representatives from the Southern and East African regions. From Southern Africa were Oppikopi's Theresho Selesho, Marc Brebant (Centro Cultural Franco Mocambicano), Seabelo Modibe (Botswana International Music Conference), Montoeli Moleli (Lesotho Tourism Festival) and Paul Cavalier (The Afro Fest Cape Town). East Africa was represented by Yasuf Mahmoud, Herman Kabubi (Bayimba/DOADOA Music Market, Uganda), Eric Karengara (Kigali Up, Rwanda), Justine Mbugua (Blankets & Wine, Kenya) and Maria Wilson.

The next topic was "Arts Mobility - Funding Opportunities", which was presented by Thabiso Mohare of the British Council, Francois Venter (Goethe-Institut) and Ignacio Priego of Concerts SA. All expanded on available funding opportunities and urged local musicians to always look into these opportunities provided by these institutions.

The last topic of the day was "Packaging Your Asset - the Building of an Electronic Press Kit", which was presented by Jess White. He encouraged local Musicians to keep clean EPKs with professional content and explained the importance of having an EPK at the ready. Flameboy Universe and Shejay Zoe were local artists who shared their EPKs, explaining how these assets have helped grow their brands and careers.

Closing the workshop was Music In Africa's Eddie Hatitye, who encouraged local musicians to make use of musicinafrica.net, a portal where they can share their music and important information about venues, festivals, dates and the like.

Festival Performances

The first day of the MTN Bushfire Festival was so exciting: with the rest of the festivalgoers coming in, the lawn was on fire. Some highlights of the mind-blowing musical acts were Nigerian international superstar Mr Eazi, all-female band The Sheekings, Moonchild Sanelly & Eme collaborations, DJ Cybos and, for the first tiem, Swazi traditional dance was showcased by a local traditional dance group.

Day two of the MTN Bushfire saw Mahube, an explosive collaboration directed by the multi-award-winning Steve and Bokani Dyers, take to the stage. Mahube brought together some of Southern Africa’s top musicians performing contemporary arrangements of traditional music from Southern Africa, as well as inspired originals which are sure to touch hearts with moving, soulful vocals. The group also paid tribute to one of its iconic members, Oliver Mtukudzi.

MEUTE the Techno Marching Band, with well-balanced sounds of hypnotic driving techno and expressive brass band music, kept fuelling the fire.The legendary South African kwaito group Trompies took all fans down memory lane with old skool kwaito classics. Clossing day two was South African energetic house duo Blackmotion.

Sunday, day three of the festival, saw a chilled nujazzy vibe predominate, with festivalgoers already looking forward to the performances of internationally-renowned Nigerian artist Asa and the "The Village Pope" Tsepo Tshola from South Africa. Starting up the day was Nibs Van Der Spuy, next was The Tune Recreation Committee followed by Mizki's Afro-soul and the sensational Dobet Gnahore. Asa's performance left the fans cheering for more and, for the first time at the MTN Bushfire festival, on Sunday evening the main arena was still packed as all waited to see the legendary Tsepo Tshola's performance. He came on and closed the festival on a high.

Some acts performed on various other stages at the Festival, such as the Amphitheater Stage, the super-energetic Firefly Stage and The Barn. Artists who performed at the Amphitheatre Stage included Sereetsi & The Natives, Buddy Masango, Alibombo, Dope Saint Jude, Morena Leraba, Rob Van Vuuren, Ain Themachine, Bashayi Bengoma, Smiles Makama, Maputo Electronico, Aramboa, Lizzy, Puts Marie, Invizible and DJ Mbali. Artist who were blazing on the Firefly Stage were DJ Lu, Dane The Ambitious, Steez, Supa CDQ, DJ Bubbles, M-Tonic, Lady Zee, J Molley, DJ Mkay, Sarnilo, Lindelwa, Speech Umlangeni, DJ Swizz, Karyndasoul, Harristheiner, Sooks and Zethu Mzileni. The Barn hosted performances by the Mbuluzi Blues Band, Hanwah, Cook Off, Menes La Plume, Make Overs, Mysh and What We Are.

Most festival attendees left already looking forward to the festival’s next edition, set to take place over the weekend of 29-31 May 2020.

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