NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

How to - Music Biz

Running an Indie music label (pt. 1)

21 Nov 2014 - 10:41

cc-img

by Phathu Ratshilumela

Let's be honest, running an independent recording company is not an easy thing. Setting up the business, having a clear understanding of the target market, devising a marketing strategy, finding and signing the right artists, recording the projects, releasing and distributing them and finding the right accountant and publisher to work with is definitely no easy task. It is important that before you look at establishing your label, you start by understanding exactly how the music industry operates and begin networking with those who can be of assistance.

Openroom Studios in Johannesburg

This two-part article serves as an overview of what it takes to set up an independent label. Over the past years there have been many independent labels in South Africa, some having climbed the ladder to the top of their game, others who've found it to be more difficult than it seems. The truth of the matter is that the local music industry is still developing as compared to that of other countries such as the US and European countries. It has been and still is very difficult for local labels to present their music to the worldwide market. But even so, that does not mean that one cannot run a successful label here at home. There are many examples of success such as TS Records, Bonzo Music, Impakt Sounds and SoulCandi who all started from scratch but today are some of the most successful independent labels in South Africa. More exciting is that all these labels are still operating within the local territory.

These are just some of the things you need to take into consideration should you wish to run a music label.

Registering your company

These days if you don't fully understand how to set up a company, there are people you can consult, who charge a reasonable amount of money to register your company, register for VAT and PAYE and open a bank account. Alternatively, you can do all this by yourself if you know exactly what to do. The important thing is to understand that you are setting up a business that earns money, pays staff (even if you are the only salary earner) and suppliers, charges clients and pays tax accordingly.

Getting your paper work sorted

If you are planning on running your label as a successful business then you need to get your paper work in order. Please insure that your tax and all your income that you will be making through the label are accounted for. This means that you may need to do the paper work yourself but I advise you not to be a jack of all trades especially if you know little about accounting. So the best would be to employ an accountant on a part time basis to help you with your books. You will definitely want to do your own invoicing and be able to provide clients with statements, but you don't want to be stuck mulling over your books entirely yourself.

Also, be aware that you need to learn about the legalities of music copyright and intellectual property. You will also need to decide whether you think you can handle your own publishing under your company or if you would prefer to alternatively sign a non-exclusive deal with a label or publisher. What is more important is that before you do anything with anyone you need to have your contracts prepared. Usually the people who will be happy to assist you in drafting contacts are music lawyers and you'll probably want to consult with one of them when it comes to actually signing your first artist.

Identifying the genre you want to pursue

You need to find time to really identify the genre of music you want to pursue. Think back to the ultimate reason why you wanted to establish an independent label in the first place. Think of what music you are passionate about, the music you understand, the music you believe you can focus on. If you have a love for music and also a clear understanding of where you want to head, then music genre would be probably one of the first things you would have decided on.

But if you are new in the game and not so sure where to go, I advice you to take some good time familiarizing yourself with the industry and the various genres of music. Getting to know the industry will help you channel your label in the right direction. Through personal experience, what I have come to realize is that people focus on genres of music they love. If you want to start a record label for simply business reasons, and you are not in love with the type of music you want to release, chances are your label will fail because wont truly understand your target market.

But you also have to stop listening to music as a hobby once you set up a recording label. To reiterate you need to understand that you are running a business and it needs to be treated so because at the end of the day, it has to appeal to the target consumer so it can pay the bills.

Signing of the artist

Before you even open your door for demos, know that most of the best artists are hustlers. So, you are likely to hear the artist somewhere or see them performing. With that, already the artist knows the kind of music they want to pursue; all they need is someone who can help them actually make an album and assist them in building a career. Also if you see an artist performing and they really captivate and entertain a crowd then you know that not only will they appeal to a target market, but they also know how to perform which is very important when it comes to promoting an album.

In most cases, the artist might already be working with a few people, like a producer and some musicians and so on. If you like the sound of the artist's music then you probably want to also work closely with the people the artist is working with. On this note, it's important to start developing relationships with certain producers and session musicians so that you can bring them in on a project if the artist doesn't have anyone already in mind.

You just need to do your homework. If you know the genre of music you want to focus on then you need to know where the fans of that genre go to hear the music. Once you know where that is you can frequent those venues and you should soon identify which artists performing at those venues are talented enough to be recorded and produced.

The chances are, however, that you're already a part of the scene and may already know which artist/s you want to work with.

The next part of this series focuses on recording and producing a project, the artistic design of a project, marketing and promotional strategy, distribution and the organizations that you need to develop a relationship with. Stay tuned for part 2.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media