NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Bakame Editions

Rwandan afro-fusion artist Mico working on debut album

18 Aug 2016 - 13:20

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Rwandan artist Isaie Mico Myiza is known for his unique way of blending traditional Rwandan music style to create a unique afro-fusion sound. At the end of July, Mico was one of the artists who performed at the sixth KigaliUp! Festival in Rwanda. The artist spoke to Music In Africa about his musical journey and his forthcoming album.

Mico Myiza during a video shoot. Photo courtesy of Mico Myiza

Mico says he was passionate about music and at the age of nine he joined the Intore dance troupe who performed traditional Rwandan dances. As his musical tastes evolved Mico later tried his hand at pop music which was taking root in Rwanda. Together with his elder brother he co-founded G.N Family dancing troupe. They worked together until 2008 when he took a break to focus on his studies.

In 2015 Mico made a comeback with the single ‘Uwimicomyiza’ followed by ‘Igikobwa’, which gave him a remarkable exposure after receiving nomination for the TV10’s Iwacu Night video of the month in September 2015. Mico says the song 'Igikobwa' was conceived out of a debate with his friends about nicknames in Rwanda. “My song ‘Igikobwa’ is a result of the debate I had with my colleagues about different special titles among lovers. I was insisting on the fact that Igikobwa is more expressive than other names such as baby, cherie, chouchou, sweetie.

Recently he released the single “Mwita Mama” which he recorded on the occasion of the 2016 Mother’s Day celebration. The single is a dedication to all mothers for their incomparable love and care towards children. The song was conceptualized after he had been invited to perform during a birthday for a mother of one of his friends.

“I already had an idea of recording a song for mothers but I hadn’t planned when. A friend of mine invited me to his mother’s birthday celebration that fell on the same date with ‘Mothers’ Day’ celebration,” Mico says about the song. While rehearsing Boyz II Men’s ‘A Song for Mama’ for the function he conceived this song and decided to surprise his friend with his own composition. He later recorded the song.

With the success of his singles like ‘Igikobwa’ Mico is now working on his debut album which he says will include 10 songs. Already he has recorded six songs and is working on the last four. With an aim of creating music that promotes people’s wellbeing while educating them.

His performance at the KigaliUp Festival has also further motivated him to work more on his craft as a live performer.

KigaliUP Festival was the first time I was performing at a big event since my come back in 2015. This was an opportunity to showcase my music to the big audience and persuade them that I can do it better.” He says he invested all he had in rehearsals and that this efforts paid off as he received positive feedback from the audience. His biggest moment at the festival was performing alongside Cameroonian singer Kareyce Fotso, American acts Skyler Jett and Quantum Split. He says he learnt a lot from Soleil Laurent’s performance of the Quantam Split band. Mico is motivated by the band’s stage energy and this is something he wants to improve on in his future performances.

Rwandan music industry

Commenting about Rwandan music, Mico says that the industry in Rwanda is constantly developing when it comes to the quality of production, music education, infrastructures, policies and business orientation. Nevertheless he notes that the setback is that while this developments are notable within Rwanda’s capital Kigali, the rest cannot be said of the other towns in Rwanda. “Extending music as a profession outside the capital appears to be a huge challenge nearly 99% of music activities are held in Kigali. Thus everybody who wants to venture into music has to move Kigali to access the facilities and opportunities,” Mico states.

Irrespective of the challenges, Mico says he is keen on breaking into new territories. He says collaborating with other artists is one way. He says he would like to collaborate with acts such as South Africa’s Zahara and Kenyan pop group Sauti Sol.

Besides music, Mico is an Editorial Manager at Bakame Editions a non-profit publishing house that aims at developing children’s book publishing in Rwanda. In future Mico plans to invest in art for social and economic transformation.

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