NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Rwandan musicians remember genocide victims

13 Apr 2018 - 09:21

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Musicians in Rwanda have paid tribute to the victims of the 1994 genocide.

Deo Munyakazi says all Rwandese have an active role to play in the fight against ethnic discrimination.

The artists this week released commemorative songs for the 24th anniversary of the genocide that saw about 1 million Tutsi massacred by the Hutu majority government.

Although there had always been hostility between the two groups over the years, what sparked the bloodbath was the death of president Juvenal Habyarimana, a Hutu whose plane was shot down above Kigali Airport on 6 April 1994.

Habyarimana’s death led to a campaign of retribution that saw opposition leaders, Tutsis and moderate Hutus murdered in one of Africa’s most horrific atrocities in modern history. The genocide lasted for 100 days until 15 July 1994.

In commemoration of the genocide, a nationwide memorial service is held on 7 April every year accompanied by tribute concerts and events that run for a week.

Musician Deo Munyakazi told Music In Africa that in 1994 music was used to encourage the Hutus to kill the Tutsis, but 24 years later music is being used to inspire hope and unity.

“Musicians like Simon Bikindi were convicted of incitement to genocide and sentenced to jail,” Munyakazi said. “Today we use music to promote reconciliation and rebuild our country. We must all play an active role in the fight against ethnic discrimination.”

Musician Erick Senderi, who has released the song ‘Amateka Yacu’ (Our Rights), strongly believes that Rwanda has a better future ahead as long as it continues to tell the story of the genocide to the future generations.

“Our past does not justify our future,” he said. “As much as we must remember the history, we should not let it define us. Instead, the genocide should act as a lesson book in preparation for a better tomorrow.”

Other songs released for the 24th anniversary are ‘Icumu n’Ingabo’ (Spear and Shield) by Green Ferry Music, ‘Hora Rwanda’ (Cry No More Rwanda) by Rwanda Cinema Artists, ‘Dufite ibihamya’ (Our Testimony) by Yesu Araje Family Choir and ‘Birashoboka’ (It Is Possible) by Ambassadors of Christ Choir.

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