NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Rwandan talent contest kicks off with countrywide tour

17 May 2016 - 06:29

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The sixth edition of the annual Primus Guma Guma Super Star (PGGSS) singing competition is gaining momentum following the unveiling of this year's contestants in March and a recent concert in Rwanda’s northern district of Gicumbi on 14 May.

Jules Sentore and his troupe perform at the PGSS outreach in Gicumbi. Photo:www.newtimes.co.rw

The competition, which comes to an end in August when the winners will be crowned, will see 10 musical acts (both solo performers and groups) tour Rwanda to entertain as well as attract fans' votes with a goal of winning the grand prize. Unlike other talent competitions that seek to 'discover' unknown talents, PGGSS brings together already established Rwandan artists to compete against each other with the aim of further promoting their careers. It is one of the many opportunities for Rwandan artists to gain a countrywide fanbase and hopefully even a broad regional appeal.

In the running this year are Jules Sentore, Young Grace, Allioni, Urban Boyz, Danny Nanone, Danny Vumbi, TBB (a trio of Tino, Bob and Benja) and Gaby Umutare. Bruce Melody, a runner-up in the 2015 edition, and Christopher Muneza will be giving the competition another try in the hope of clinching the grand prize. In 2015 Bruce emerged the second runner-up to winner Knowless Butera, who walked away with the grand prize of 24 million Rwandan Francs (around US$32 000).

Arguably one of the favourites this year is Jules Sentore (full name Rwamiza Jules Bonheur Sentore), who began playing instruments at a young age, starting with the drums and guitar. He soon started learning the traditional guhamiriza dance and kept at it with the aim of preserving and celebrating Rwandan culture. His grandfather taught him to play various instruments, including the Inanga, one of Rwanda's oldest traditional music instruments. Sentore has performed in various countries, including Burundi, Uganda, Congo and Germany. His album Muraho Neza features many of his most-loved songs.

Grace Abayizera, better known as Young Grace, is considered the first female rapper in Rwanda. Rapping mainly in local Rwandan dialects, Grace hopes in future to perform in other languages and to collaborate with other East African artists such as Uganda's Sheebah. In this year's PGGSS contest Young Grace will attempt to follow Knowless Butera's example to become the second female artist to win the contest.

This year's PGGSS has reduced the number of live shows from 17 to only 8. Joseph Mushyoma, the CEO of organisers East African Promoters, said the changes were made to favour both the organisers and the contestants. "We reduced the number of road shows because the performances were tiring, leaving contestants with less time to rehearse," explained Mushyoma.

The voting process however remains the same, with 20% of the votes coming from the public via sms and 80% from the jury. This year's sixth edition sees Lion Manzi, Aimable Twahirwa and Clementine Uwitonze return as judges. Fans can vote once a day for their favourite artists. Voting began on 14 May and continues till 12 August, the day before the grand finale in Kigali.

Anita Pendo and MC Buryohe will be the hosts for the tour, which on Saturday 21 May moves to the western district of Karongi. The full schedule of the countrywide PGGSS tour is as follows:

  • 14 May: Gicumbi (Northern Province)
  • 21 May: Karongi (Western Province)
  • 4 June: Nyamirambo (Kigali)
  • 18 June: Ngoma (Eastern Province)
  • 2 July: Huye (Southern Province)
  • 6 July: Musanze (Northern Province)
  • 30 July: Rubavu (Western Province)
  • 13 August: Kigali (Grand Finale)

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