NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: Boiler Room announces True Music Fund recipients

13 Jul 2020 - 17:10

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South African music events Prime and Ebumnandini have been announced as the recipients of Boiler Room and Ballantine’s True Music Fund.

Ebumnandini, a youth culture platform by electro music duo Stiff Pap, is among the recipients of the fund.

The two projects will receive financial backing worth R375 000 ($22 000) and dedicated support from Boiler Room’s in-house programming team and industry network. They will also get advice on how to produce new event formats, recommendations on their club night promotion, production support, and the investment to make it happen.

Capetonian youth culture platform Ebumnandini was founded by local electronic music duo Stiff Pap to support creative innovation in South Africa.

“We believe South Africa has some of the brightest talent in the world and we want to give those people the platform to shine,” Ebumnandini's Jakinda Mshindi Boya said. “Unfortunately, our music industry has experienced the loss of key venues and events over the years. We want to create a way forward. With the help of the True Music Fund, which is even more crucial in the wake of COVID-19, we can begin to start new networks from the ground up.”

Prime founder Alex Michelsen said: “Prime strives to add to the Cape Town community and beyond through music and more. Now more than ever, given the impact COVID-19 has had on local music communities, Prime aims to improve its current work in growing talent and encouraging diversity through increased inclusion.”

Prime is an event series that started off as a one-off gig in Cape Town in 2016. The event seeks to create free and safe space for all attendees, artists and crew to enjoy quality music.

Ballantine’s head of music, Tom Elton, said the True Music Fund was part of an exciting evolution in the company’s long-standing partnership with Boiler Room.

“With our True Music events, we aim to spotlight emerging scenes that are redefining the current music landscape. The fund allows us to go one step further to support those communities we have visited over the years,” he said.

Boiler Room chief business development officer Steven Appleyard said the fund recipients were instrumental in redefining modern club culture at home.

“The winners really resonated with Boiler Room – all self-starters plugged into their communities and pushing them forward with credible programming and new party ideas. This is the stuff that makes our scene tick, and we're really honoured to be supporting them and, in turn, their local community."

The True Music Fund was first launched in Spain and backs projects run by the local music community for the local community. It was launched in South Africa in November and is intended for artists, creative promoters and independent programmers.

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