NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: Deezer launches Heritage in Music playlists

21 Sep 2020 - 12:34

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Music streaming service Deezer, in collaboration with South African musicians Elaine and Master KG, has launched two new playlists ahead of Heritage Day in the country, which is celebrated annually on 24 September.

Elaine and Master KG.

Each musician has curated a playlist, which features songs and artists that shaped their musical heritage. Elaine’s playlist comprises 19 songs, which blend old and new with music from big international artists, including Whitney Houston, Mariah Carey and Phil Collins as well as local musicians like Zonke, Brenda Fassie and Boom Shaka.

“To me, music heritage means timelessness, and appreciating music icons that have paved the way before us," Elaine said. "I believe music is one of the most powerful tools that society has. And with that, it has the power to influence and change the future of many. This power also comes with a lot of responsibility, and I think musicians should use this power in spreading goodness.”

Master KG’s playlist features 26 tracks and gives listeners a glimpse into his influences and artists who have had the biggest impact in his life, including Zahara, Skwatta Kamp and Hugh Masekela.

“Music heritage means a lot to me because I’m able to express my culture through music,” he said. “The music I create is inspired by my upbringing and the Limpopo culture. Music is able to unite people and it encourages us to take interest in other people’s cultures as well. For example, I’m always saying ‘wanitwa mos’ and a lot of people are now interested in learning what it means. It is Tsonga for 'do you hear me?’”

Listeners can stream Elaine's playlist here and Master KG's playlist here.

Additionally, Deezer interviewed the two musicians:

DEEZER: What is your first/or a significant music memory?

ELAINE: Listening to Phil Collins in the car with my dad on the way back home from school.

Who is your all-time favourite music idol/icon?

Whitney Houston, Lauryn Hill and Beyoncé.

How does a typical family gathering look like to you?

Intimate settings, lots of food and lots of music!

What impact/change do you hope to bring with/through your music?

I want to spread love and inspire the youth with my music. I want them to know that their dreams are valid, and everything and anything is possible.

What has been the highlight of your career?

Everything has been a blessing. I’m grateful for all the moments.

Your favourite song off your album and why?

'Changes'. It’s a love letter to myself.

What foods are close to home, and what music is on repeat?

Lots of pasta. I’m listening to a whole lot of R&B, trap, Afrobeats and amapiano.

Who, locally and internationally, would you love to collaborate with?

My list is endless. Drake, Beyoncé and Zonke are on the top of my list though.

Three songs that remind you of home?

Phil Collins – 'In the Air Tonight', HHP – 'Music and Lights' and Kool & the Gang – 'God's Country'.

DEEZER: What does music heritage mean to you and what role has music played in your heritage?

MASTER KG: It means a lot because I’m able to express my culture in music. That sound that I came up with was inspired by my culture in Limpopo.

What is your first or a significant music memory?

Being in studio for the first time, not a big studio but a small studio in my village. And I remember making this skeleton move for my beat.

Are there any specific people in your family that you can attribute your love of music to?

My late uncle. He bought me my first computer that I first started producing music on. He lost his life in a car accident when we were supposed to meet. He played a big role in my career.

If you can go and watch any concert, who would you go and see?

I would go and watch Post Malone. I’m a big fan. I love what he does on stage, especially with the live instruments and the live experiences. I love those.

How does a typical family gathering look like for you?

Just me and my family having fun and dancing to my music.

What food would you be eating and what tracks would you be arguing about?

I’m not a big fan of food but there’d be pap and chicken. I love it so much. We would be arguing about who is bigger in music.

When did you realise that music is what you wanted to pursue?

Around 2012. I just loved music so much. It was the time of cassettes. I remember I used to stay up at night recording songs on the radio. I remember there was a house music show on SABC radio a while back, and because our radio frequency was bad, I would need to stand up with the radio in my hand just to listen to the show and record for three full hours.

What is your favourite song of all time?

'Via Orlando' by Monwa and Sun. It has that '80s vibe and it was a classic song. That song also motivated me to make music and it was the inspiration behind 'Skeleton Move', one of my biggest songs as Master KG.

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