NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: Fleur du Cap Theatre Awards announces winners

19 Mar 2018 - 12:41

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The winners of the 53rd edition of the Fleur du Cap Theatre Awards were announced at a ceremony held at the Baxter Theatre in Cape Town, South Africa, at the weekend.

Edith Plaatjie walked away with the Best Performance by a Lead Actress in a Musical or Music Theatre Show Award for her role as Joyce in King Kong the musical..

The biggest winner, What Remains, received five awards while King Kong, a musical that launched the international careers of the late musicians Hugh Masekela and Miriam Makeba, walked away with three awards in the Original Music Composition, Best Performance by a Lead Actress in a Musical and Best Performance by a Supporting Actor in a Musical categories.

King Kong musical details the tragic life of the late prominent boxer Ezekiel Dlamini (King Kong) who committed suicide in 1957. The play made a comeback on theatre stages in 2017 after a hiatus of more than half a century.

The Fleur du Cap Theatre Awards were launched in 1965 to honour theatre production in Cape Town. Every year the ceremony evaluates more than 90 productions in about 20 Cape Town venues.

Here is the full list of winners:

Best Performance by a Lead Actor in a Musical or Music Theatre Show

  • Andile Gumbi in King Kong as King Kong
  • David Dennis in Priscilla Queen of the Desert as Bernadette
  • Jonathan Roxmouth in Evita as Che
  • Marc Lottering in Aunty Merle the Musical as Aunty Merle
  • Sne Dladla in King Kong as Pop

Best Performance by a Lead Actress in a Musical or Music Theatre Show

  • Ashleigh Harvey in Funny Girl as Fanny Brice
  • Edith Plaatjies in King Kong as Joyce
  • Emma Kingston in Evita as Eva
  • Nondumiso Tembe in King Kong as Joyce
  • Tarryn Lamb in Aunty Merle the Musical as Abigail

Best Performance by a Supporting Actor in a Musical or Music Theatre Show

  • Anton Luitingh in Evita as Magaldi
  • Anton Luitingh in Joseph and the Amazing Technicolor Dreamcoat as Pharoah
  • Sanda Shandu in King Kong as Lucky
  • Tshepo Ncokoane in Priscilla Queen of the Desert as Miss Understanding
  • Tshamano Sebe in King Kong as Jack

Best Performance by a Supporting Actress in a Musical or Music Theatre Show

  • Candice von Litsenborgh in Priscilla Queen of the Desert as Shirley
  • Isabella Jane in Evita as The Mistress
  • Josslynn Hlenti in King Kong as Petal
  • Kate Normington in Funny Girl as Mrs Brice
  • Tankiso Mamabolo in Aunty Merle the Musical as Lydia

Best Performance by an Ensemble

  • The cast of Marat/Sade
  • The divas of Priscilla Queen of the Desert
  • The cast of Shakespeare in Love
  • The cast of Tartuffe
  • The cast of What Remains

Best Performance in a Revue, Cabaret or One-person Show

  • Daniel Mpilo Richards in State Fracture in Various Roles
  • Gideon Lombard in Die Reuk van Appels as Marnus
  • Jemma Kahn in In Bocca al Lupo as The Narrator
  • Sandra Prinsloo in Moedertaal as Nellie
  • Tony Bonani Miyambo in Kafka's Ape as Red Pete

Best Performance in an Opera – male

  • Fikile Mvinjelwa in Rigoletto as Rigoletto
  • Jaco Venter in Der Fliegende Holländer as Holländer
  • Lukhanyo Moyake in Rigoletto as The Duke of Mantua
  • Lukhanyo Moyake in Der Fliegende Holländer as Steuermann
  • Martin Mkhize in The Magic Flute as Papageno

Best Performance in an Opera – female

  • Brittany Smith in The Magic Flute as Pamina
  • Johanni van Oostrum in Der Fliegende Holländer as Senta
  • Leah Gunter in The Magic Flute as The Queen
  • Noluvuyiso Mpofu in Rigoletto as Gilda
  • Nonhlanhla Yende in Rigoletto as Maddalena

Best Performance by a Lead Actor in a Play

  • André Roothman in Die Nag van Legio as Dogoman
  • Charlton George in Marat/Sade as Jean-Paul Marat
  • Craig Morris in Tartuffe as Tartuffe/Madame Pernelle
  • Ephraim Gordon in Die Dans van die Watermeid as Mills
  • Marty Kintu in Topdog/Underdog as Lincoln

Best Performance by a Lead Actress in a Play

  • Buhle Ngaba in What Remains as The Student
  • Charmaine Weir-Smith in Suddenly the Storm as Shanell
  • Faniswa Yisa in What Remains as The Archeologist
  • Tinarie van Wyk Loots in Hemelruim as Mariaan
  • Tinarie van Wyk Loots in Marat/Sade as Charlotte Corday

Best Performance by a Supporting Actor in a Play

  • Bongile Mantsai in Marat/Sade as Duperret
  • Darren Araujo in Shakespeare in Love as Henslowe, Ensemble
  • Gerben Kamper in Die Nag van Legio as Oubaas Menge
  • Mark Elderkin in Twelfth Night as Malvolio
  • Wessel Pretorius in Twelfth Night as Feste

Best Performance by a Supporting Actress in a Play

  • Camilla Waldman in Tartuffe as Cléante
  • Faith Kinnear in Marat/Sade as Patient, Chorus
  • Jenny Stead in The Visit as Jackie Lodin
  • Renate Stuurman in Suddenly the Storm as Namhla
  • Robyn Scott in Shakespeare in Love as Elizabeth I, Ensemble

Best Theatre Production for Children and Young People

  • Fred Abrahamse and Marcel Meyer for Peter Pan
  • Jon Keevy for The Underground Library
  • Marinda Engelbrecht and Margit Meyer-Rödenbeck for Vlooi en die Koninginby/Kipper and the Queen Bee

Award for Most Promising Student

  • Luntu Masiza, AFDA
  • Matthew Stuurman, UCT
  • Melani-Roxanne Breedt, AFDA
  • Tristan de Beer, UCT
  • Zoe McLaughlin, WITS

Best New Director

  • Dara Beth
  • Joshua G Ackerman
  • Nico Scheepers
  • Nwabisa Plaatjie
  • Thando Mangcu

Best Lighting Design

  • Nick Schlieper and Per Hording for Priscilla Queen of the Desert
  • Patrick Curtis for Marat/Sade
  • Tim Mitchell for King Kong
  • Wilhelm Disbergen for What Remains
  • Wolf Britz for Shakespeare in Love

Best Set Design

  • Brian Thomson for Priscilla Queen of the Desert (Bus Concept and Production Design)
  • Greg King for Suddenly the Storm
  • Jaco Bouwer for Marat/Sade
  • Nicola Mayer for Immortal
  • Nigel Hook for The Play that Goes Wrong

Best Costume Design

  • Birrie le Roux for King Kong
  • Birrie le Roux for Funny Girl
  • Leigh Bishop and Lieze van Tonder for Twelfth Night
  • Sasha Ehlers for Tartuffe
  • Tim Chappel and Lizzy Gardiner for Priscilla Queen of the Desert

Best Sound Design, Original Music Composition or Original Score

  • Charl-Johan Lingenfelder for Original Music Composition (additional) for King Kong
  • Daf James and Michael Williams for Original Score for Tiger Bay the Musical
  • Neo Muyanga for Original Music Composition for Twelfth Night
  • Pierre-Henri Wicomb for Original Music Composition for Marat/Sade
  • Tarryn Lamb and Marc Lottering for Original Score for Aunty Merle the Musical

Best New South African Script

  • Die Dans van die Watermeid by Amee Lekas
  • Suddenly the Storm by Paul Slabolepszy
  • The Eulogists by Louis Viljoen
  • The Visit by Brent Palmer
  • What Remains by Nadia Davids

Best Director

  • Jaco Bouwer for Marat/Sade
  • Jay Pather for What Remains
  • Jonathan Munby for King Kong
  • Lara Bye for Die Reuk van Appels
  • Sylvaine Strike for Tartuffe

Best Production

  • Die Reuk van Appels – Theatrerocket (Johan van der Merwe and Rudi Sadler)
  • King Kong – The Fugard Theatre (Eric Abraham)
  • Marat/Sade The Baxter Theatre (Nicolette Moses)
  • Priscilla Queen of the Desert – ShowTime Management (Hazel Feldman)
  • What Remains – Nadia Davids

Award for Innovation in Theatre

  • Imbewu Trust & Kunste Onbeperk

Lifetime Achievement Award

  • Alvon Collison

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