NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: Hunter’s announces Jacquel Culture House music incubator winner

05 Sep 2022 - 08:43

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South African cider brand Hunter’s, in partnership with Tresor and Sun-El Musician, has announced DJ and producer Nico Efstratiou as the winner of the third Jacquel Culture House (JCH) talent incubator programme.

Nico Efstratiou. Photo: Facebook

JCH is a platform for new artists seeking success in the music industry and intends to provide aspiring artists with access to fundamental tools, resources and mentorship opportunities.

“Tresor and Sun EL-Musician are extremely influential in their unique ways and a chance to work with any of them is crazy,” Efstratiou said. “On top of that, Hunter’s and JCH just added another layer of professionalism to the project. It feels so weird but in a good way. It hits me at random times in the day, and I never really feel like I absorb it.”

Hunter’s has forged a reputation for supporting the South African music industry. At the beginning of the COVID-19 pandemic, the company sponsored the Channel O Lockdown House Party, which entertained South Africans during a period of uncertainty.

In November 2021, the brand sponsored a concert to revive the live music scene after nearly 19 months of restrictions on public gatherings. The concert, dubbed #MusicNeedsYou, took place in Johannesburg and was headlined by Cassper Nyovest and Kabza de Small. In addition, Hunter’s donated half of the ticket value (R100 000) to the Music In Africa Foundation to further support the South African music sector.

“I think there is something truly special about the synergy that music can bring,” Efstratiou added. “You can be in a room with a hundred other people of different cultures, interests, careers or even languages, but we can experience the same energy in that room. For that moment, we are all equal through the power of music. Regardless of where you are from or what you do, we can look each other in the eyes, and for that moment, we can be absorbed into a universal, musical world.”

Efstratiou, who is a Stellenbosch University graduate, says he would like to collaborate with his fellow JCH contestants. “I have kept in contact with a few of them and we are slowly testing the waters. Music has given me an outlet that nothing else has been able to match yet,” he said.

Born and raised in East London in the Eastern Cape province, Efstratiou took up drums at the age 11. He spent the next eight years learning more instruments, producing music and deejaying. In the process, he has developed a catalogue of music that can be listened to in clubs and on radio. While he enjoys making dance music, he also has the ability to tell stories and uses his songwriting skills to accomplish this. His signature sound employs melodic figures, groovy percussion and dark basslines.

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