NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA legend Hugh Masekela dies

23 Jan 2018 - 09:15

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Legendary South African trumpeter, composer and singer Hugh Masekela has died. He was 78.

Hugh Masekela had been battling prostate cancer for some time.

Born on 4 April 1939, Masekela died in Johannesburg this morning after battling prostate cancer for some time. He was surrounded by family at the time of his death.

“It is with profound sorrow that the family of Ramapolo Hugh Masekela announce his passing,” a family statement reads. “After a protracted and courageous battle with prostate cancer he passed peacefully in Johannesburg, South Africa, surrounded by his family. A loving father, brother, grandfather and friend, our hearts beat with profound loss.

“Hugh’s global and activist contribution to and participation in the areas of music theatre and the arts in general is contained in the mind of millions across six continents and we are blessed and grateful to be part of a life and ever expanding legacy of love, sharing and vanguard creativity that spans the timing space of six decades.”

Condolences to Masekela’s family and friends as well as tributes began pouring in on social media shortly after the musician’s death.

“A baobab tree has fallen, the nation has lost a one of a kind musician with the passing of jazz legend bra Hugh Masekela. We can safely say Bra Hugh was one of the great architects of Afro-jazz and he uplifted the soul of our nation through his timeless music,” Minister of Arts Nathi Mthethwa wrote on Twitter.

Musicians Association of South Africa president Tebogo Sithathu told eNCA that Masekela “used his music for the greater good”.

“I was so inspired by him for standing up against the apartheid government. My condolences to the family,” he said.

Chimurenga Music Company also joined millions of music lovers in mourning Masekela. "The death of Hugh Masekela, who was fondly known as Bra Hugh, has robbed South Africa and indeed the world of one of the most influential musicians of our time," reads a statement.

"Through music, Bra Hugh played an important role in the struggle for liberation and social emancipation. It is very crucial for the arts industry, in memory of Bra Hugh, to deepen the struggle for social and economic justice and advance the African revolution.

"Bra Hugh was a personal friend to Dr Thomas Mapfumo. They shared the stage several times in several countries, and their last interaction being in 2015, where they performed at the Mapungugwe Arts Festival with another departed icon, Ray Phiri."

"It is our hope that the young generation of musicians will carry on the journey and continue from were Bra Hugh left. We send our heartfelt condolences to his family, colleagues, friends and the entire music industry."

The No Borders hitmaker had been receiving treatment since 2008 when doctors discovered a “small speck” on his bladder. The treatment was followed by surgery in March 2016 after the cancer had spread.

Masekela had other health hiccups early last year forcing his management to postpone and cancel most of his shows. In April, he took a fall and dislocated his right shoulder while attending the Mo Ibrahim Awards ceremony in Morocco.

Masekela, who has been a part of the lives of South Africans and their modern musical heritage since the 1950s, was musically active for more than 60 years.

“We will, in due course, release details of the memorial and burial services,” the family said. “Hugh Masekela was someone who always engaged robustly with the press on musical and social political issues. We laud the press for respecting his privacy through his convalescence and during this, our time of grief. Our gratitude to all and sundry for your condolences and support.”

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