NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: Listen to fourth episode of Gallo Vault Sessions‘ podcast

12 Jul 2022 - 10:03

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The fourth episode of the Gallo Vault Sessions’ podcast series takes a deep dive into the role of talent scouts and producers as proxies for white-owned record labels and the extent of their influence on shaping the music that emerged in South African townships in the apartheid era.

Sipho ‘Hotstix’ Mabuse is among the featured artists in the fourth episode of Gallo Vault Sessions.

Episode four of the six-part series documents how Johannesburg became an important music hub and epicentre of the South African recording industry. The story depicts how label executives were a buffer zone between labels that profited from black-recorded music and the black musicians who bore the brunt of a financially exploitative industry.

The podcast narrates the legacies of mega producers such as Griffiths Motsieloa, Cuthbert Matumba, David Thekwane and Rupert Bopape who collectively unearthed big names at the time like Dorothy Masuka, maskandi pioneer Phuzushukela and Mahlathini, among many more.

Some artists featured include legendary penny whistler and organ jive player Lulu Masilela from The Boyoyo Boys, who composed a number of hits but did not receive songwriting credits. Other musicians include Sipho ‘Hotstix’ Mabuse, Mike Swaratle as well as Gallo archivist Rob Allingham. The Mahotella Queens soprano Hilda Tloubatla also appears in the documentary. Like many black artists in that era, she shares her story of how she was sent off to boarding school by her parents, but took a different train to Joburg and landed on Gallo’s doorstep wanting to sing.

Many hopeful musicians at the time loitered the streets of Gallo, EMI and other recording studios hoping to land a recording deal. However, most of the artists didn’t sign any contracts and were instead only paid fees for each session by the producer. The producers also played a pivotal role as marketers, testing the appeal of their new recordings in their mobile vans by playing them outside train stations as commuters arrived for work.

The episode also features a specially curated mix by Naledi Chai from Fly Machine Sessions, which explores the sounds from the producers.

Episodes one to four are available on select digital streaming platforms with those launched on the last Thursday of the month until August.

The series is narrated by Kineta Kunutu. It was researched, produced and written by pan-African creative research and cultural storytelling agency Konjo founder DJ Zara Julius. Gallo Record Company is South Africa’s largest and oldest independent music label since its inception in 1926.

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