NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: Meet 2022 Standard Bank Young Artists

01 Dec 2022 - 13:18

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Standard Bank and the National Arts Festival (NAF) have announced the Standard Bank Young Artists for 2022.


 

Msaki.

The inductees comprise prolific vocalist Msaki, jazz musician Linda Sikhakhane, poet Koleka Putuma, visual artist Lady Skollie, ‘Theatre Duo’ Mahlatsi Mokgonyana and Billy Langa as well as choreographer Thami Majela.

Putuma’s first volume of poetry, Collective Amnesia, was published by uHlanga Press in 2017. This was followed by her self-published collection Hullo, Bu-Bye, Koko, Come In (2021). Putuma’s sense of her craft and role as a poet is informed by the wide-ranging legacy of various South African wordsmiths, including stage divas and literary greats.

Mokgonyana and Langa officially became ‘Theatre Duo’ some seven years ago, but the two have worked together since they met at the Market Theatre Laboratory, producing several works with Langa as the writer-performer and Mokgonyana as the director-dramaturg, including their landmark project Tswalo. Among other accolades, the play has won a Cape Town Fringe for Best Directing and Performance, a Standard Bank Ovation Award at the National Arts Festival in 2018 and a Naledi Theatre Award in 2020. It has toured widely in South Africa and Europe.

Lady Skollie, born Laura Windvogel-Molifi, is a committed activist who tackles a range of subjects through her work, in particular the “forbidden fruit” at the intersection of lust, greed and power, and the deployment of sex as a weapon. Linked to this is her protest against gender-based violence, expressed in images that depict women as shackled, yearning to be free.

Msaki took South Africa by storm in 2019 when she featured on Prince Kaybee’s smash hit ‘Fetch Your Life’ which has garnered more than 10 million views on YouTube. In the same year, Msaki teamed up with DJ Black Coffee on ‘Wish You Were Here’ one of the tracks on the Grammy-winning album Subconsciously.

Bloemfontein-born Thami Majela has danced his way around the world, developing a distinctive repertoire that fuses classical ballet, contemporary dance and various African dance styles. Majela has worked with prominent South African dance practitioners like Dada Masilo and PJ Sabbagha. In 2015, he was selected by Pro Helvetia for a research residency in Switzerland. Majela’s first solo piece, A Last One in Colour, developed into an international collaboration with dancer-choreographer Manaho Shimokawa and filmmaker Axel Stasny. This spurred Majela into various short film projects Sub Zero, Layered Waves, Each Passing Minute, iNxeba and Lilith, Lucifer and Eve.

Having pursued a musical journey from Umlazi in KwaZulu-Natal to New York City and back again, Sikhakane’s compositions and performances reflect a global jazz outlook that is firmly rooted in the local. His early mentors included Brian Thusi and Nduduzo Makhathini in South Africa and Billy Harper, Reggie Workman, David Schnitter and Charles Tolliver in the United States. Sikhakhane completed his undergraduate degree at the New School in New York after winning the SAMRO Overseas Scholarship. He is currently enrolled for a master’s degree at the Norwegian Academy of Music. But this saxophonist extraordinaire’s creative output has not been limited to his studies – he cut his teeth through long hours in the recording studio and on stage, working with a host of musical artists ranging from the late Sibongile Khumalo to Thandiswa Mazwai and Feya Faku to Marcus Wyatt.

"We congratulate and celebrate the achievements of the 2022 Standard Bank Young Artists. As we build towards the 2023 Festival the work these artists are creating will help define the mood and tone of our 2023 Festival and we look forward to working with them."

The event will take place from 22 June to 2 July 2023.

Previous recipients of the award include musicians like Johnny Clegg (1989) and Sibongile Khumalo (1993), and more recently Spoek Mathambo (2020), Sisonke Xonti (2020), Kyle Shepherd (2014), Nduduzo Makhathini (2015), Thandi Ntuli (2018) and Mandla Mlangeni (2019).

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