NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: Punkfontein and Meel Vignetting share The Leviathan

07 Mar 2023 - 15:29

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South African band Punkfontein has released a single titled ‘The Leviathan’ featuring indie rocker Meel Vignetting.

Punkfontein with Meel Vignetting (in the middle).

The track is available for streaming and download on all major digital platforms.

The collaborative offering was first conceptualised in late 2022 when Punkfontein members started entertaining the idea of working with Vignetting after playing a show together. Surprisingly, before she was informed, Vignetting reached out to Punkfontein asking for a collaboration.

A week later, they started work on the single and after several iterations, they scheduled a session at KVD Studios in Randfontein before it was sent to Audio Nebula for mixing and Westenhaus for mastering.

“I wrote the initial music for this song about three years ago, and I’ve been sitting on the idea, waiting for the right moment. Punkfontein guitarist and vocalist Gareth said. “This song came straight to mind when the opportunity to collaborate with Meel [Vignetting] materialised.”

Commenting about the title of the track, Vignetting said the leviathan is a metaphorical monster. “The line ‘With our monsters we are always being hunted’, expresses how I sometimes feel like I’m drowning in my ‘challenges’, and how I’ve always wished that I could fly away from all of it, like Mary Poppins with her umbrella,” she said. “My favourite line on the song is ‘Fight forever to right our wrongs’. That’s probably one of the most important things in life to me, to face consequences and right my wrongs.”

The bands also pay homage to No Doubt’s album Tragic Kingdom on their cover artwork. “We initially wanted a visualisation of a leviathan for our cover art but felt it might be a bit harsh. Being huge fans of Blink 182 and No Doubt, we were initially planning a tribute show during our recording process, then decided to pay homage with our cover art to the classic and timeless album Tragic Kingdom from No Doubt. We all have such a positive and fond connection to this album from a time when music like this sculpted us,” Vignetting added.

Punkfontein is a punk rock quartet hailing from the western outskirts of Gauteng in South Africa. Formed by a lifelong friendship spanning well over a decade, its music comes from a post-teenage angst era and boasts a message of inspiration and positivity. The group has a fun and free writing style based on stories, experiences and tragedies endured and overcome.

Vignetting fronts the eponymous South African four-piece indie rock band Meel Vignetting. She has been playing guitar since the age of six, singing since eight, and writing original music since about 12. She feels music is the only way to truly express herself without question. As an introvert, getting on stage is one of the scariest things on earth, but she loves the challenge of letting go on stage, and every time outgrows the challenge.

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