NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA rapper has own take on hip hop

18 Sep 2017 - 16:15

cc-img flag-img

After a seven-year hiatus from the music industry, rapper and fine artist Neil Atlantis is returning with a live performance of his upcoming album ‘Die Walkure’ at the Market Theatre Lab in Newtown, Johannesburg, on 23 September.

Neil Atlantis will be launching his album 'Die Walkure' at the Market Theatre Lab in Johannesburg.

Neil Atlantis, whose real name is Neil Louw, has been a presence in the Johannesburg music and poetry scene since the days of Horror Café, Shivava and Cool Runnings in the 1990s and 2000s when he was known as Blindfold – a name he says he outgrew. Louw has been working on ‘Die Walkure’ since 2014 and he says it was inspired by the 2008 historical thriller Valkyrie starring America actor Tom Cruise.

“I watched the movie and I asked myself what the Valkyrie is,” Louw told Music In Africa. “After researching I found out that it was an opera by Richard Wagner, Die Walküre. Valkyrie was one of a group of women who decided which soldiers should live and which should die in war.”

But the album’s concept does not dwell solely on the story of Valkyrie. “Each song is a different experience,” Louw said. “People understand things through comparison but there is nothing to compare this album to – it has its own sound and story.”

Louw said he didn’t want to come across as pretentious with his new offering. “Rapping has its limitations. For me it’s about being heard. I don’t want people to think too much. They must relate as the words are being said. It’s about the feeling.

“There isn’t a process to the writing. I just let the music tell me what to do. On my first album 'Magic In My Mouth', there was a song called ‘Blue’. The minute the producer played the song to me, that’s what I saw – the colour blue.”

The 23 September show will feature a six-piece band. Louw said there were more possibilities when working with a live band because the music became interactive and the audience could be brought into the performance.

“Working with a band feels freer, there is more inspiration. It comes without limitation like using a loop would,” Louw said.

Louw, whose brand of hip hop cannot be easily categorised, said he was trying to reach audiences that appreciated serious music and the written word.

“I’m making music for a learned audience. It’s a niche market and I want to cater for people who like literature and music. I don’t see myself as fitting in mainstream or underground hip hop.

“With this album I aim to reintroduce myself to audiences. During my absence from the scene, friends were telling me to perform. I thought to myself that I can’t perform without a product. But now that I have something I can get back onto the stage,” Louw said.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media