NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: Sha Sha drops I’m Alive album

23 Sep 2022 - 03:50

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South Africa-based Zimbabwean amapiano artist Sha Sha has released her 13-track album titled I’m Alive. The project is available for streaming and download on all major digital platforms.  

Sha Sha.

The release follows a listening session where the 28 year old BET Award winner hosted local media and music professionals at the Sony Music Entertainment Africa offices in Rosebank, Johannesburg.

The record asserts Sha Sha’s dominance on the amapiano scene while also extending her creativity into a bolder, soulful R&B terrain. It boasts collaborations with top local artists including Focalistic, DJ Maphorisa, Kabza De Small, Mellow & Sleazy, Ami Faku, Blxckie, Rowlene and A-Reece.

Following up on her debut EP Blossom, I’m Alive reveals an artist who is breaking barriers as heard on her four fantastic singles that preceded the release of this offering.

“‘I’m Alive’ is nothing short of a proclamation of my musical eclecticism and wide-ranging music gifts – from songwriting to performing,” Sha Sha said. “It is also a statement of my own power. There had to be certain things within myself that had to happen so I could come alive. It’s more like a rebirth, self-reflection and healing.

“I think every single one of them [collaborators] brought a special contribution to my project. I am very proud of us as a team and the music we have created. I think there are some great and exciting surprises on the album, people will discover the diversity of the music we have created.”

The album shows Sha Sha’s strength in other genres, including Afrobeats and R&B. In this intoxicating mix, she expresses her aspiration to reach new audiences around the globe without losing the signature Sha Sha sound that has made her the Queen of Amapiano.

“This album was a healing process for me,” she said. “I don't want to prescribe too much to people, but I think the healing and love message will come through clearly. The title I'm Alive is not a morbid one. It is a journey of letting go of a version of me and welcoming the new one. It is about low frequencies around me and inside of me that had to come to an end for a new version of me to come alive. I am a very spiritual person so in this journey the relationship with God is central.”

As for what she hopes the audience would take away from the album, Sha Sha said: “I want them to let themselves go and get lost in the music. To take whatever they want from it and maybe in a way it will assist them to tell their stories too.”

This latest project will no doubt open up more opportunities for the Mutare-born singer, who is the poster child for Southern Africa’s biggest musical movement. Music In Africa previously interviewed Sha Sha about the genre’s success and how it defines South African culture.

“It’s a vibe, it speaks for our culture, especially if you listen to the language used. The production and instruments are its own thing, and it shows a different side of Africa. The majority of it is African with a modern twist. I see it becoming very big as it goes on and threads itself into the international music scene.”

A slate of high-profile collaborations and her own releases has propelled Sha Sha’s rise in the music industry. She launched her career in 2013, aged 19, after giving up studying to be a nurse and following her heart to write, perform and record music. In 2020, she became the first Zimbabwean artist to win the BET Viewers’ Choice: Best New International Act award in the show’s 20-year history.

Sha Sha was discovered and nurtured by singer-songwriter Audius Mtawarira in her early years. When she moved to Johannesburg, a chance encounter led her to DJ Maphorisa, Kabza De Small and Samthing Soweto, with whom she worked on her debut EP, Blossom. With the release of the EP in 2019, Sha Sha quickly became a household name in amapiano. Besides demonstrating Sha Sha's ability to deliver stunning R&B and Afro-soul pop tunes, the collection also showcased amapiano's versatility.

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