NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: Standard Bank Jazz Festival to honour luminaries

02 May 2018 - 16:15

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The 2018 edition of the Standard Bank Jazz Festival (SBJF) features an impressive line-up of leading musicians who are poised to make the event an unforgettable experience at the National Arts Festival in Grahamstown, South Africa, from 28 June until 7 July.  

Marcus Wyatt is among the artists who are performing at the event.

Now in its 31st addition, the programme will celebrate great jazz legacies with a number of international musicians. Artists who will showcase at the festival include Nduduzo Makhathini, Thandi Ntuli, Aaron Goldberg, Albert Frost Trio, Afrika Mkhize, Zenzi Makeba Lee, Amanda Tiffin and Sisonke Xonti.

“This year’s programme will celebrate key jazz milestones, give a nod to great musical traditions from across the African continent and showcase some of the best among what Europe and the US has to offer today,” SBJF director Alan Webster said.

Pianist Thandi Ntuli will lead Rebirth of Cool, a jazz band that is expected to bring classics from the great pool of hip hop and soul. Comprising four members, the group will play songs from Miles Davis’ 1957 seminal album Birth of Cool. Featuring unusual instrumentation and several notable musicians, Rebirth of Cool’s music is made up of innovative arrangements fused with classical techniques such as polyphony and post-bebop jazz.

The lofty legacy of historic band the Blue Notes is revisited with dexterous musical adoration by the star-studded Blue Notes Tribute Orchestra led by trumpeter Marcus Wyatt. Award-winning writer Percy Mabandu will lead an interdisciplinary performance to mark the 50th anniversary celebration of saxophonist Winston Mankunku Ngozi’s 1968 album Yakhal' Inkomo. The project will bring together the masterful jazz musicianship of Andile Yenana, Shane Cooper, Ayanda Sikade, Linda Sikhakhane and Sisonke Xonti.

Norwegian saxophonist Petter Wettre and his band will reimagine Michael Breckerwill’s music in a project titled Don’t Try This At Home. Well-known US pianist Aaron Goldberg will for the first time bring his trio to Africa while McCoy Mrubata and pianist Paul Hanmer will use their performance as an opportunity to celebrate their 30 years of collaboration.

To celebrate the impact made by Swiss state arts funding organisation Pro Helvetia in South Africa for more than 20 years, 12 musicians from Switzerland will perform at the festival this year. The musicians are expected to perform original music and collaborate with local artists.

The festival is going to be a rare feast for jazz piano enthusiasts too. Pianist, composer and Standard Bank Young Artist Thandi Ntuli will showcase music from her new genre album Exile at the DSG Hall on 29 June. Andile Yenana’s sextet Umnqgonqgo Wabantu will ascend the DSG Hall stage on 1 July. The band will include prolific South African and Swiss musicians such as bassist Christoph King-Utzinger and drummer Michi Stulz. The rhythm section and hornline includes Wyatt and Sikhakhane.

On 29 June, US composer and pianist Goldberg will lead his trio with New Zealander bassist Matt Penman and US drummer and percussionist Leon Parker. Afrika Mkhize will be on stage with Zenzi Makeba Lee and Amanda Tiffin as they break new ground with their collaboration on 30 June. Pianist Nduduzo Makhathini will also set the piano on fire when he plays music from his latest album Ikhambi on 4 July.

Educational wing at the festival

The SBJF, through its educational wing, will feature the Standard Bank National Schools Big Band conducted by Dr Gordon Vernick – a professor of music and coordinator of jazz studies at Georgia State University. The band is made up of musicians between the ages of 19 and 25 from across the country.

“There’s a reason the SBJF has a global reputation as a barometer of not only the current quality of jazz musicianship in South Africa but a launching ground for future industry leaders too,” Standard Bank head of brand and sponsorship Jenny Pheiffer said.

“The focus on development of young musicians and the way the festival celebrates our jazz heritage exemplifies our values captured by our campaign call for this year – Art_is! We are convinced art, and jazz music in particular, are central to building a healthy society,” she said.

Tickets will go on sale from 7 May via the National Arts Festival official website.

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