NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: Thandi Ntuli reveals release date for Rainbow Revisited album

09 Oct 2023 - 08:49

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South African pianist and composer Thandi Ntuli has announced that she will be releasing her new album Rainbow Revisited on 17 November.

Thandi Ntuli. Photo: Andile Buka

The album, whose lead single ‘Nomayoyo (Ingoma ka Mkhulu)’ is out on all digital music platforms, was created in collaboration with American producer and percussionist Carlos Niño, while the cover art was designed by British jazz musician Shabaka Hutchings.

In 2019 Ntuli travelled to Los Angeles for the first time to perform at The Ford Theatre at a show presented by The Nonsemble. While there she met the LA-based Niño and he invited her to do a session with him and engineer Andy Kravitz at Studio 4 West.

“Having been aware of some of his work, I knew that, with Carlos as producer, the artistic direction of the album would likely take me to a place I’d never considered going,” Ntuli recalls in her liner notes for the album.

“A fact that had me both curious and terrified as one tends to be when stepping into the unknown. On that Zen-like California afternoon in Andy Kravitz’s cosy studio in Venice Beach, he encouraged me to play around with various iterations of my composition Rainbow. ‘Try it this way’, ‘How about adding that?’, ‘Can you breathe into the mic?’, ‘What if you focus on the last section?’, and many other explorations that eventually went through a few cuts, edits, yays and nays to become this body of work. Rainbow Revisited was birthed through that session, another session a couple of days later, and a series of many small synchronicities that led up to that moment.”

Describing the collaboration, Niño said: “I was super excited when I heard that Jason Sugars and Kali of The Nonsemble were bringing Thandi to Los Angeles. I was invited to play with her, Siya Makuzeni and Katalyst Collective at The Ford Theatre. I reached out to Thandi to see if she had time and interest to get in the studio while she was here, and she did.

“We became fast friends, established essential trust, talked through some things, and got to work. I had always envisioned that this would be a full-length album, and we had plenty of recordings, but exactly what it was going to be, and how it was going to flow, took some time and space. In late 2021, I was called by an inner voice to return to this project and finish the album. Luckily, Thandi was into what I sent her and we were able to proceed in our collaboration, that is Rainbow Revisited.”

The album’s lead single, ‘Nomayoyo (Ingoma ka Mkhulu)’, is a warmly soul-quenching, canonic piano chant played by Ntuli. “A particularly special moment for me was when [Carlos] invited me to play something from home, which lent itself to me recording a song originally written by my grandfather that we often sing when at family gatherings,” Ntuli said.

Ntuli’s recent album, Blk Elijah & The Children of Meroë, has been nominated in three South African Music Awards (SAMAs) 2023 categories – Female of the Year, Best Jazz Album and Best Engineered Album.

Pre-order Rainbow Revisited here.

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