NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SA: Thapelo Molomo wins Idols SA Season 18

13 Nov 2022 - 18:10

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Thapelo Molomo was announced the winner of Idols SA season 18, with Nozi Sibiya as the runner-up in a show that featured performances from superstars including D'Banj, AKA and judges Thembi, JR and Somizi at the Heartfelt Arena in Pretoria on 13 November.

Thapelo Molomo.

With 22 million viewer votes this week, season 18 brought a total of more than 120 million votes. Molomo, a 29-year-old South African Police Service psychologist, walked away with over R1m ($58 000) in cash, made up of R350 000 in a Standard Bank MyMo account (sponsored by Old Mutual), R300 000 from Spotify and R350 000 from Mzansi Magic. He will also get access to a Standard Bank wealth manager, a Toyota Starlet, a fashion voucher from Truworths and his live show outfits valued at R100 000, musical equipment from Yamaha worth R85 000 and a recording contract with Kalawa Jazmee Records.

As the runner-up, Nozi also won a recording contract with Kalawa Jazmee, as well as R50 000 in a Standard Bank MyMo account, a fashion voucher from Truworths including live show outfits, all to the value of R50 000 and R30 000 from Spotify.

“This has been another spectacular edition of Idols South Africa — 18 seasons is quite a feat, and we’re proud of how well this rendition was received,” M-Net director for local entertainment channels Shirley Adonisi said.

“We would like to congratulate Thapelo and wish him well on his post-Idols SA journey. At Mzansi Magic, we are proud that we have provided a stage, which has proved to be a launch pad for many careers, and we are confident that this year‘s contestants will grab this opportunity with both hands.”

During the finale, Thapelo and Nozi performed their showstoppers – Master KG and Makhadzi’s ‘Di Boya Limpopo’ and Rihanna’s ‘Don’t Stop the Music’, respectively. The two then duetted, performing Rihanna’s ‘Lift Me Up’, with the previously eliminated top eight contestants as backup singers.

While the show had opened with a glittering rendition of Arya Star’s ‘Bloody Samaritan’ by season 18’s top 10, the finale was also filled with memorable superstar performances from Oskido, Mthandazo Gayta, King Talkzin, Deep Sen, Costa Tich, Alfa Kat, D'Banj and season 17 winner Berry.

The judges also put their money where their mouth is by taking the stage – not to share their critique but to perform. JR Bogopa sang a medley with award-winning rapper AKA, Thembi Seete and her Boom Shaka bandmates played some of their kwaito classics, and Somizi Mhlongo and host ProVerb took on Lil Nas X’s ‘Industry Baby’.

Summing up the season, Idols SA host and executive producer ProVerb said: “Tonight has been an amazing celebration. Your support of up-and-coming talent has been amazing. Your votes have brought Thapelo to this life-changing moment.”

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