NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SAMPRA to take legal action against SABC over unpaid royalties

19 Jul 2021 - 13:46

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The South African Music Performance Rights Association (SAMPRA) has announced that it will take legal action against the South African Broadcasting Corporation (SABC) over needletime royalties.

SAMPRA CEO Pfanani Lishivha. Photo: Facebook

Needletime rights are paid out to record labels and recording artists for the public performance of their commercially released recordings. SAMPRA says it will file a complaint with the courts to compel the SABC to pay for the use of its artists’ music. The collective management organisation (CMO) said the SABC’s failure to pay would result in an interdict prohibiting the public broadcaster from playing tracks from SAMPRA’s repertoire, which constitutes 99% of South African compositions.

“It is more than 16 months since South Africa went into lockdown and the SABC is pouring salt into the wounds of recording artists,” SAMPRA CEO Pfanani Lishivha said. “By maintaining their stance of not paying for needletime rights, as well as negotiating in bad faith, the broadcaster is continuing in its trend of undermining SAMPRA’s members.

“As SAMPRA, we represent more than 38 000 direct performer members, and almost 6 000 direct record company members. This amounts to 99% of all tracks performed in South Africa, and a large number of these are played on SABC radio stations. SAMPRA members’ intellectual property makes up more than 95% of the SABC’s playlist. Thousands of SAMPRA members are directly losing an income from the broadcaster, and this has resulted in dire consequences, such as members’ houses being repossessed, artists being unable to pay for their children’s school fees and not being able to pay for day-to-day expenses such as food, electricity and water.”

SAMPRA said the SABC had jeopardised artists’ livelihoods by refusing to pay royalties amounting to more than R250m ($17m), particularly during the COVID-19 lockdown when artists have not been permitted to host performances.

“The public broadcaster is not only flouting the law, but further continues to use SAMPRA members’ intellectual property without compensating them for their works,” SAMPRA said. “By blatantly exploiting the performing artists, the beleaguered corporation is directly infringing on the artists’ rights to generate an income from their music.”

Legendary musician Sipho ‘Hotstix’ Mabuse weighed in on the matter and implored the SABC to pay up.

“As artists, it seems like our plight is not taken as seriously as other industries,“ he said. ”The lockdown has been detrimental for us, as we are not able to generate a single cent. But ironically, the SABC continues to play our tracks in order to make the public feel hopeful about the current state of affairs and to generate advertising revenue for themselves. The SABC knows the power of music, but they are not willing to pay us for our works.”

This is not the first time SAMPRA has taken on the SABC over royalties. In 2018, the CMO and the Independent Music Performing Rights Association were at loggerheads with the state-owned broadcaster over what they called disproportionate royalty payouts.

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