NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SAMRO to debut songs of hope by top SA composers

24 Aug 2015 - 10:16

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Optimism is at the core of four songs inspired by South Africa's National Development Plan and premiering at the 2015 SAMRO Overseas Scholarships Competition this week. The SAMRO Foundation’s flagship music education project this year sees the 12 participating singers giving voice to brand-new works by four exceptional jazz and Western Art music composers. 

Composer Neo Muyanga. Photo: foxeye.co.za

Neo Muyanga, Marcus Wyatt, James Bassingthwaighte and Christo Jankowitz were commissioned by the SAMRO Foundation to craft new compositions for the competition. Their brief was to use the preamble to the National Development Plan – the government’s blueprint for eliminating poverty and reducing inequality in the country by 2030 – as their inspiration and source material. This vision statement was written by poet Antjie Krog and academic and writer Prof Njabulo Ndebele, and lays out an optimistic dream for a future South Africa. The composers’ task was to take the words and make them dance to music, lifting the text off the page and into the realm of living art.

In the intermediate round of the competition, to be held at Johannesburg’s Linder Auditorium on 27 August 2015, the six Western Art Music candidates will be required to sing ‘!ke e:/xarra//ke’ by Muyanga. The composer himself, formerly of the duo Blk Sonshine, said this of his new work: “‘!ke e:/xarra//ke’ is a phrase in the /xam [Khoisan] language, which literally means: ‘diverse people unite’. It is the motto emblazoned on South Africa’s national coat of arms. I wrote this work as an anthem in response to two very key happenings this year: (a) the horrific attacks perpetrated by South Africans against immigrant black Africans now living in South Africa; and (b) as a way of thinking through a project I was curating in Brazil called ‘Revolting Mass’. It’s a project with the Goethe-Institut that seeks to understand the aesthetics of protest and the politics of belonging in the pan-Africa of today, from the perspectives of both the African diaspora and the global south."

The jazz semi-finalists, meanwhile, will perform the song ‘We Know’ by Bassingthwaighte, himself a former SAMRO scholarship winner. The composer explained: “The text wasn’t written as lyrics, so the biggest challenge was to mine the text for excerpts that would work in the setting of a song. I decided to focus on the experiences that we as South Africans have in relationship to the goals as laid out in the text. Regarding the music, I tried to make sure that while the melodic and harmonic content of the song was academically challenging for the artist, it would nonetheless be a fantastic listening experience for the audience when performed.”

Semi-finalists will also have the opportunity to sing repertoire of their own selection. Two finalists in each music genre will be selected by adjudicators to compete in the final round, also at the Linder Auditorium, on Saturday 29 August 2015. In addition to their own choice of material, they will be singing ‘Connected’ by Wyatt (jazz finalists), arranged for big band, and ‘Dream of a Rainbow’ by Jankowitz (Western Art finalists).

Wyatt explained about his composition: “It was the feeling of the text as a whole and the positive message behind it that inspired the main theme of ‘Connected’. However, there are many challenges facing us as a nation, and the scars of our collective past mean it is not all always smooth sailing – thus, the composition goes through many different stages and modulations. Despite these key changes and tonal centre shifts, the composition remains hopeful and uplifting…Overall, the message of diversity and positivity is key to ‘Connected’. In terms of the range, the piece spans two octaves in its extremes and, of course, the fairly regular key changes will keep the singers on their toes, so to speak!”

Jankowitz, also a previous two-time merit award winner in the SAMRO scholarships competition, elaborated on his composition: “This text expresses a wide spectrum of ideas, concerns and sentiments in order to convey a central message of vibrant optimism about the state of our nation by the year 2030…The choice of the musical language, in honour of SAMRO’s selection of this particular text, was made in order to challenge the vocal prowess of each competing candidate in the competition and also to connect with as wide an audience as possible. Though the music is grounded in a traditional harmonic language, I strove to offer enough contemporaneity to reflect that it is conceived as being born of the present time.”

On the line are two R170 000 (over US$12800) scholarships to study or enroll in music master classes abroad, as well as a number of merit and subsidiary cash awards.

The final live round of the SAMRO Overseas Scholarships Competition will take place at 6.30pm at the Linder Auditorium in Parktown, Johannesburg, on Saturday 29 August. Entrance is free to the public, but guests are requested to reserve their seats by emailing [email protected].

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