NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Sarafina musical returns to SA State Theatre

02 Feb 2017 - 14:07

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‘Sarafina’, the South African musical depicting students involved in the 1976 Soweto Riots in opposition to the Apartheid, returns to South African State Theatre (SAST) on 10 March and close on 20 May. 

Sarafina. Photo: Whats on in Joburg

Previews of the musical will run from 28 February - 9 March.

Conceived and directed by Mbongeni Ngema, ‘Sarafina’, which has been staged on Broadway, was written by Ngema and additional songs were done by jazz icon Hugh Masekela.

Funded by the National Department of Arts and Culture, the hit musical is a musical experience with songs performed in the tradition of Mbaqanga, fused with jazz, RnB and gospel. The musical deals with the radicalisation of a young school girl who becomes involved in the riots and is tortured by the South African Police. The primary setting is the Morris Isaacson High School where students revolt against the use of Afrikaans as medium of instruction.

In an official statement from the organisers, a appeal is made to the South African education department: “…with challenges facing our educational system, arts and culture must step up and help us look back and remember that this democracy was achieved through blood and tears and that education is a right and not a privilege.”

‘Sarafina’ was created in June 1986 and premiered at The Market Theatre in Johannesburg in June 1987, with Leleti Khumalo in the title role as the school girl activist. In its second run at the State Theatre in 2004, when South Africa celebrated ten years of democracy, the production attracted more than 25 000 people with 27 performances.

In January 1988, the musical ran on Broadway during black history month, culminating in a two-year run on Broadway in Manhattan, New York City, and a five-year tour of the US. At the same time, a second cast premiered the musical at the Market Theatre in 1988 and went on a world tour for four years, stopping over in the UK, Europe, Australia, Japan and parts of West Africa.

A Hollywood feature film starring Whoopie Goldberg and Leleti Khumalo. Dr Mbongeni Ngema, Dr John Kani and Dr Mirriam Makeba, was later made. The soundtrack was produced by Dr Mbongeni Ngema and Quincy Jones. It captured the imagination of the world and made Sarafina a symbol of African triumph and hope.

For more information about this production, get in touch with Thakgatso Setseta via email: [email protected] or call +2712 392 4045 and +2778 823 3596. Tickets can be purchased via Computicket.

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