NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Sauti Sol promises thriller at Lake of Stars Fest

24 Sep 2018 - 10:27

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This weekend thousands of music lovers from all over the continent will head to the shores of Lake Malawi to experience the 15th edition of Lake of Stars Festival.

Sauti Sol will perform at the 2018 Lake of Stars Festival.

Kenyan band Sauti Sol, which is made up of Polycarp Otieno, Savara Mudigi, Willis Chimano and Bien Baraza, will be one of the festival’s headlining acts. The band, which became a reality a decade ago, has won several accolades at the MTV Africa Music Awards, All Africa Muzik Magazine Awards (AFRIMMA), MTV Europe Music Awards (MTV EMA) and Soundcity MVP.

The band has also toured extensively in the last four years, with their latest tour, dubbed Melanin, having kicked off on 22 September with a performance in Zurich, Switzerland.

Music In Africa spoke to Sauti Sol about their Melanin tour and what they expect from the 15th edition of Lake of Stars Festival.

MUSIC IN AFRICA: This is not your first time in Malawi, is it?

SAUTI SOL: No it’s not. We were approached due to our previous experience with the organisers so it’s definitely an honour to come back as headliners. We played at the Lake of Stars Festival in 2013 to a wonderful reception but we were not as known as we are now.

Lake of Stars promotes arts and culture through music. In your opinion, what could be the benefits of such a festival in Kenya?

Giving artists a platform to show their work is always beneficial in enriching the culture of a country. At the moment, there are several festivals serving that purpose in Kenya but there is always room for more. Can a country have too many festivals?

Is there a song you love to perform above all others?

We just love to jam out with the crowd, so whatever song they react to most is the highlight of each performance. We typically ask fans to tell us what song they look forward to hearing before our performances to make sure we give them an unforgettable experience.

‘Short and Sweat’ and ‘Tujiangalie’ are your recent hits. For your Malawian fans, which songs are you most looking forward to performing?

As this is part of our Melanin world tour, we’re definitely excited to play the hits from our Afrikan Sauce LP, which is a continental body of work. We’re also excited to play some of our classics like ‘Sura Yako’ and ‘Live and Die in Afrika' for our Malawian fans.

‘Tujiangalie’ is a song outside your usual primary themes. Can you explain the inspiration behind the lyrics?

We just felt like it was time to self-reflect about the state of the world. We all have the capacity to change the society we live in by being introspective and accountable for how we contribute to the issues that affect us.

That is socially conscious music. Is music activism a direction you are looking to venture into more?

Music is how we best express ourselves so if there’s something we feel strongly about, social or otherwise, that’s how we’ll do it. Music is a universal language and therefore it’s one of the easiest ways to communicate across different cultures, borders, continents. Music is about feeling and is quite visceral and that’s what makes it powerful enough to change the world.

What is it that you normally want your listeners to take away from your songs?

Love! We want people to feel the love we put into the music and for that to translate to love in their lives and in everything that they do. As for the Lake of Stars 15th anniversary, the fans should expect the best live show experience from us because all we want to do is spread the love and have an incredible time with everyone at the festival.

Do you have a performance that stands out in your memory as particularly special?

Most recently, we performed at the Colours Festival in Ndola, which is in the Copperbelt region of Zambia. That was such a wonderful surprise for us because everyone knew all our songs. We thought the crowd would only know the hits but they really sang along to most of our set and that was a very special experience.

As a band that has managed to stay afloat in an industry that is largely dominated by music from the western and southern parts of Africa, how have you grown over the years and what does the future look like for Sauti Sol?

We’ve grown up! Some physically more than others [laughs]. Ours is a story of 'hard work pays'. Our fans have literally watched us evolve physically, financially and musically over the past 10 years.

In the year 2014, Savara and Polycarp picked up production and taught themselves the ins and outs. Since then we’ve been producing our own music. Every year we always try to learn a new instrument just to push ourselves as live performers and add new flavour to our sound. We’re also always looking to push boundaries with our style, fashion and visuals, and that’s what the future looks like; finding new comfort zones and exploring all that intrigues us sonically for our next album.

What are some of the music industry changes locally and regionally that you have noticed in the past five years?

There are many changes but the most notable one is the streaming culture. This has really improved, following the growth of social media. More people are consuming music online than ever before, hence the reduction of piracy on physical copies. It is so easy to go viral overnight and artists do not necessarily depend on the traditional media to push their content and to help grow their brands.

Lake of Stars tickets are available via Plankton, while international tickets (excluding Africa) are available via Eventbrite. For more information, visit the Lake of Stars official website.

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