NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Sauti Sol’s Melanin a taste of Afrikan Sauce

23 Nov 2017 - 14:35

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Sauti Sol is a pacesetter in the East African music industry and, if the new single, 'Melanin', featuring Nigerian reggae and dancehall artist Patoranking, is anything to go by, the band is looking to up its game with  its upcoming LP Afrikan Sauce.

Patoranking with Sauti Sol's Savara and Polycarp. Photo: KISS FM

Patoranking has had a busy year that’s seen him work with East African artists such as Diamond Platnumz, Navy Kenzo and Alikiba. Therefore, a collaboration between the Nigerian star and Sauti Sol was always going to be a hit.

'Melanin' celebrates women of colour whose allure is their dark skin. The track’s introduction is a perfect blend of acoustic guitars. Patoranking joins in with, “When a good girl gone bad, what you gonna do? / Run go meet her dat/we don’t wanna do”, and this is followed by Sauti Sol’s rich vocal harmony.

“In my life I have never seen melanin so dark / you’re a queen of the dance floor / night social life upon the Lagos scene baby / won’t you put me in your diary,” Savara sings (Patoranking replaces Nairobi with Lagos). Having spent all his money on the woman he desires, the Nigerian artist expresses that he won’t give up on her, even though she doesn’t share his sentiments. The song is catchy with simple but memorable lyrics: “She’s a heartbreaker / she bend over backbreaker / steaming hot water vapour / I wanna date her.”

Skin-bleaching products have borne a multi-billion industry, which millions of Africans have fallen victim to. The song is in appreciation of women who are comfortable in their own skin, and the video, which features dark-skinned women, addresses this issue and advocates for self-love.

The video starts with three guitarists, among them Sauti Sol’s Polycarp, sitting on a log on the shore of the ocean. The scene changes to silhouettes of a woman, the band and Patoranking walking on the beach. Having worked with artists such as Davido and Yemi Alade, it’s easy to see why the band chose Clarence Peters as the director. A lot of creativity went into it – from the women basking in the sun on the beach, to the dance floor, to Bien singing against the backdrop of lit torches.

The video is appealing but the styling takes it a notch higher. The makeup is flawless and the hairstylist went with natural dos that look good on the women. The African print bikinis they don also stand out. To make it steamy, partygoers are drenched from the rain pouring down on the dance floor. Going for the dramatic, the Nigerian director incorporated slow motion scenes throughout the video. However, the oiled women who’re only wearing bikini bottoms as they face the ocean, and a nude model seated on a motorbike, make this an R-rated video. Does the video deliver? Keeping in mind the band’s target audience, yes, it does.

Having previously worked with Yemi Alade, Bebe Cool and Alikiba, the band effortlessly fuses its sound with different artists' to produce instant hits. While debuting the song, Sauti Sol announced they would release a new track each month for the next year. In a bid to spread the Kenyan message and flavour across Africa, the songs will be in collaboration with various artists across the continent.

If this is just a taste of what to expect from Afrikan Sauce then fans are in for a treat.

Artist: Sauti Sol ft Patoranking
Album: Afrikan Sauce
Label: Sauti Sol Entertainment

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