NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Sauti za Busara interview: Ghanaian band FRA!

12 Feb 2020 - 14:59

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FRA! is a band of six friends who plan to continue sharing their stories through music with the rest of Africa and the world.

FRA! will be in Zanzibar for Sauti za Busara 2020.

The next chapter in their quest for ultimate success begins on 13 February with a Sauti za Busara festival performance at Forodhani Gardens in Stone Town, Zanzibar. The band will also perform at the Main Stage on 16 February.

"We are so excited to perform at Sauti Za Busara," FRA!'s George Ashirifie Gogoe told Music In Africa. "Our friend Kyekyeku played at the 2017 edition and he told us about it. We feel so blessed to be selected because we have been applying to perform there since the last two editions.

"We think of music just like when preparing food. We feed the crowd with what we come up with, and when they respond positively, it tells us that we are going in the right direction.”

The Accra-based FRA! was formed in 2015 and comprises Benjamin Ashong (vocals), Emmanuel Selorm Dornyoh (guitar), Joshua Boateng (drums), Ismael Kugblenu (percussion), Martin Adjartey (keys) and George Ashirifie Gogoe (bass).

"The name FRA! means 'mix'. We chose that name because each member of the band is influenced by a different genre of music," Gogoe said. "We have a guitarist who has a rock music background, hence the hard distortion and heavy metal sound in our music, a bass player influenced by funk, a drummer deeply rooted in Afrobeat and highlife, and a keyboardist who loves pop. So when composing our music, we add elements of all these styles."

FRA! has a knack for translating this mixture of styles live without confusing the band's sound. This was most evident when the band showcased its diverse take on music at the ACCES conference in Accra in late 2019. FRA! became an instant favourite with the hundreds of international delegates at the music conference and Gogoe hopes good things will come out of the ACCES experience.

“We had a great time performing in front of all the industry people and through that we got some excellent opportunities in the near future," Gogoe said.

Kenyan music producer and author Tabu Osusa was among the delegates who watched the band at ACCES. He says FRA! delivered an electrifying showcase combining history, tradition and identity fused with a uniquely modern sound.

"Theirs was a performance to remember. These boys are going to be big. They took me back to the days of Osibisa," Osusa said, referring to the London-based African diaspora band that was formed in 1969 and became a worldwide sensation.

"FRA! are young and conscious of their culture," Osusa added. "The world should watch out for them. They are also good role models for their peers in the region. If they continue with the same trend, they will burst onto the global scene just like their big brothers from Zimbabwe, Mokoomba.”

And Gogoe is very much aware of the canvas that Osibisa left for younger African musicians to fill.

"Osibisa is one of the greatest bands to ever emerge from the continent," Gogoe said. "We like the fact that they were able to create a unique sound that enabled them to break into the pop and world music charts and onto stages all over the world. They even had a hit song in India!"

FRA! is also influenced by Ghanaian highlife legend Ebo Taylor and Nigerian Afrobeat originator Fela Kuti.

"Ebo Taylor pioneered a unique style, which had exciting progressions and horn arrangements. His music is balanced between Afrobeat and jazz. Fela inspires us because of how he was able to use the message in his music to address issues in society,” Gogoe said.

But being an Afro-fusion musician in the Afrobeats era is not easy and Gogoe believes that one has to be realistic about the hurdles that come with wanting to play non-mainstream music.

“Our type of music is not popular. We don't do the kinds of commercial music that sells in Ghana. So when we first started, it was a problem to get our songs on the radio and TV. But after some time, we gradually started building a fan base in Ghana and outside Ghana. Funding has always been a problem, especially coming from this part of the world. I also think the government should set up initiatives to support bands, art and culture," he said.

So what advice does FRA! have for younger musicians? “Music in Ghana has seen a decline in authenticity over the years. The musicianship has somewhat suffered in the hands of technology. We urge younger bands to focus more on the music of local origin,” Gogoe said, adding that a new FRA! album is planned for release in September 2020.

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