NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Sexual misconduct controversy intensifies for Liberian star

04 Feb 2019 - 14:08

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It started with the US-based act Sweetz but more women have now accused DenG of sexual misconduct.

Several women have accused DenG of sexual misconduct.

Two other women allege that the Liberian music star also sexually harassed them while on tour in the US about three years ago.

The two women, Munnah and Kadie Dickey, who claimed to have been staunch supporters of the singer, said DenG sexually harassed them when they met him in the US. According to Munnah, DenG sexually harassed her when she visited him in Minnesota to discuss a collaboration deal.

“The first thing DenG did when I met him Minnesota was to begin the discussion with nasty sexual comments about my physical look, which makes me feel uncomfortable,” Munnah said. “After the discussion, DenG asked me to sit down on his lap for a photo and to kiss him on his cheek, something which I did out of respect for the artist but, at the end of the day, he abused the privilege I gave him.”

She added that DenG sexually harassed her in front of her son, “which made the situation so disgusting”. However, she said she decided to remain quiet due to potential negative public backlash from the singer’s fan base.

Kadie Dickey says DenG sexually harassed her in 2016 at one of his shows in the US when she decided to give him a hug.

“During our first time meeting, I was so excited and gave him a hug. However, the whole situation turned awkward after he started hugging me too tight and moved his hand across my body, down to my buttocks, a move I found very disturbing. While hugging me, I told him I did not like the way he was playing with my body, but he did not listen. After satisfying his desire, he let go of me and that’s how I left the show very depressed and saddened.”

The artist’s first accuser, Sweetz, says she has gone to the authorities. “Legal action has been taken and the case is now on file,” she said. “A police report has been filed which means we have taken the legal route.

“We said that if we ever hear about this particular thing again and we hear that he has done something to other women, we will come out and speak and we will go the legal route. That action has been taken.”

While many Liberian male artists have remained mute about the allegations against DenG, US-based singer 2C, alias Mr Mechanic, shared his thoughts online.

“Kadie Dickey, Sweetz, Menneh Menneh, Gbalee Wia Togba Roda Starlet and many other victims who have experienced such thing, I’m sorry of what happened to you guys,” he posted. “Stay strong and pay no attention to the negativity. God is on your side! Daniel George, if you did these allegations you need to step up and apologize to these women!”

In support of Sweetz, Gospel musician Joel Smart wrote on his Facebook page: “I stand with Sweetz Musulyn Myers. I can’t vouch for all the victims, but I know her too well to know when she’s truly affected by a situation. Therefore, when she called me and confided this, I was shocked. I consider myself a friend to both parties (DenG and Sweetz), and as you can imagine this is a very sticky situation, but Sweetz would never lie about this.”

Stone Luckshine, the artist’s longtime producer, also commented online. “I will not support a rapist and any form of violence against women,” he wrote on Facebook. “Don’t keep silent on any assaults against women. But till he can be proven guilty, I stand with you, my bro DenG. Just take the legal action and let’s get through this.”

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