NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Shazam lists notable firsts as it turns 20

22 Aug 2022 - 12:29

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Music discovery service Shazam has officially surpassed 70 billion song recognitions. This was revealed last week as the platform commemorated its 20th anniversary.

The longest-running global No.1 song of 2021 was ‘Love Nwantiti [Remix]’ by Nigerian artist CKay.

A mainstay in popular culture, the platform has changed the way people engage with music by making song identification accessible to everyone.

To mark the occasion, Shazam is inviting its more than 225 million fans to take a trip down memory lane with a special playlist composed of the most shazamed song of each calendar year for the past 20 years.

Featuring everything from Train’s ‘Hey, Soul Sister’ to Sia’s ‘Cheap Thrills’, the playlist is a true reflection of the music fans across the globe actively searched for over the past two decades. Listen now exclusively on Apple Music.

Over the years, Shazam’s global charts have played a crucial role in helping to identify breaking new talent like Masked Wolf, who was one of Shazam’s five artists to watch in 2021 and ended up having the most shazamed track globally that year with ‘Astronaut In The Ocean’.

“The fact that people all over the world took time out of their day to pull out their phone and shazam my songs is a huge honour for me as an artist,” Masked Wolf said. “You know you’ve got something special if you see the shazam stats moving.”

Shazam’s charts have also become a barometer for unexpected pop culture moments. Kate Bush’s 1985 song ‘Running Up That Hill’ being featured in Stranger Things led to an all-time peak in shazams of the singer, and the track took No.1 on the Shazam Global Top 200 for 10 days. It ended up reaching the top of 25 national charts – more than any other song in 2022.

Keeping its finger on the pulse of music, Shazam has also played a key role in bringing local artists to a global audience. The longest-running global No.1 song of 2021 was ‘Love Nwantiti [Remix]’ by Nigerian artist CKay, which became the second song to ever surpass one million shazams in a week.

“Shazam has played an impactful role in my career,” CKay said. “It allowed millions of people all over the world to discover me and my unique Nigerian sound. It made me a global sensation even before I started to perform all over the world. The story of CKay cannot be told without Shazam connecting me to the world.”

With its continued commitment to innovation over the past two decades, Shazam is pioneering new ways to bring fans closer to the music and artists they love with new tools like the concert discovery feature, which spotlights concert information and tickets on sale for shows nearby, simply by Shazaming a song, or by searching for it in the Shazam app or website.

While Shazam remains focused on the future of music discovery, today’s anniversary offers an opportunity to look back at the notable moments and milestones that make up its two-decade history.

Important dates

  • August 2002: Shazam launches as a text message service based in the UK. At the time, users could identify songs by dialling “2580” on their phone and holding it up as a song played. They were then sent an SMS message telling them the song title and the name of the artist.
  • July 2008: Shazam launches on the brand-new App Store. Shazam later launched its Android version in October 2008.
  • April 2015: Shazam becomes available on the first Apple Watch.
  • September 2018: Shazam joins the Apple family.
  • June 2021: Shazam surpasses 1 billion Shazams per month.
  • May 2022: Shazam surpasses 2 billion lifetime instals.
  • August 2022: Shazam celebrates 20 years of music discovery and hits 70 billion all-time Shazams.

Notable firsts

  • First-ever Shazamed song: ‘Jeepster’ by T. Rex (April 19, 2002)
  • First Shazamed song on the iOS app: ‘How Am I Different’ by Aimee Mann (July 10, 2008)
  • First track to reach 1,000 Shazams: ‘Cleanin Out My Closet’ by Eminem (September 2002)
  • First track to reach one million Shazams: ‘TiK ToK’ by Ke$ha (February 2010)
  • First track to reach 10 million Shazams: ‘Somebody That I Used to Know’ by Gotye featuring Kimbra (December 2012)
  • First track to reach 20 million Shazams: ‘Prayer In C (Robin Schulz Radio Edit)’ by Lilly Wood & The Prick and Robin Schulz (October 2015)
  • First artist to hit 1 million Shazams: Lil Wayne (February 2009)
  • First artist to hit 10 million Shazams: Lil Wayne (June 2011)
  • First artist to hit 100 million Shazams: David Guetta (May 2015)

Fastest tracks to accumulate Shazams

  • Fastest track to reach 1 million Shazams: ‘Butter’ by BTS (nine days)
  • Fastest track to reach 10 million Shazams: ‘Shape of You’ by Ed Sheeran (87 days)
  • Fastest track to reach 20 million Shazams: ‘Dance Monkey’ by Tones And I (219 days)

Most shazamed of all time

  • Drake is the most shazamed artist of all time with over 350 million Shazams across songs the artist has led or featured on. ‘One Dance’ is Drake’s most popular track at over 17 million Shazams.
  • ‘Dance Monkey’ by Tones And I is the most shazamed song ever with over 41 million Shazams.
  • ‘Crazy’ by Gnarls Barkley was the most shazamed song using the “2580” text service.

Top shazamed songs by genre

  • Top Hip Hop/Rap: ‘Can’t Hold Us’ by Macklemore and Ryan Lewis feat. Ray Dalton
  • Top Dance: ‘Prayer In C (Robin Schulz Radio Edit)’ by Lilly Wood & The Prick and Robin Schulz
  • Top R&B/Soul: ‘All of Me’ by John Legend
  • Top Latin: ‘Mi Gente’ by J Balvin and Willy William
  • Top Pop: ‘Let Her Go’ by Passenger
  • Top Alternative: ‘Dance Monkey’ by Tones And I
  • Top Singer/Songwriter: ‘Take Me to Church’ by Hozier

The first Shazamed song used the service’s pre-launch public beta.

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