NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

‘Shocked’ Seychellois singer shines at awards

16 Jan 2018 - 13:52

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By Betymie Bonnelame

Reunion-based Seychellois singer Benting Crispin won the Best Male Artist Award at the Cable Tune Awards at Berjaya Beau Vallon Bay Resort in the Seychelles on 6 January.

Benting Crispin usually visits his home island to connect with fans.

The 32 year old, who is best known as Benting, has lived and worked as a chef in Reunion, a French department in the Indian Ocean, for the past seven years. Although he does not live in his homeland, the singer has not forgotten his Seychellois fans and visits the archipelago to promote his albums.

Seychelles News Agency spoke with the artist while he was in the country for the Cable Tune Awards ceremony where fans are encouraged to vote for their favourite nominees via text messages.

SEYCHELLES NEWS AGENCY: Were you expecting to win the Best Male Artist for 2017 at the Cable Tune Awards?

BENTING: It was a complete shock and I don’t know how it happened but I am very happy.

Is this the first time you have won a title at the Cable Tune Awards?

No, I won best new artist at the first Cable Tune Awards ceremony. Then I left the Seychelles and had not participated again – until now. I only came to the Seychelles to release my new album Lobstak last year.

How long have you been in the music business?

I started at about 16 years old because music is part of my family. Many members of my family are musicians. I started out by singing the songs of my favourite artists and later began writing and singing my own songs.

Most artists have a style they prefer when singing. What is yours?

I sing different styles depending on how I feel when writing the lyrics. If it’s about love I will use a slow rhythm, if I have lyrics more suited for reggae then it’s a reggae song, and when I am inspired by a sega beat then I will have one. I also have songs in modern styles such as reggaeton and dancehall. My latest album is a mix of styles and I recorded most of the songs in Reunion.

Do you sing in Creole only?

Most of the songs are in Creole but I also have songs in English but not all of them are included in my albums. The English songs are more for international markets. On the latest album I have an English song.

What are the inspirations for your songs?

They are from personal experience or things I see in everyday life. Most of the time I am not in the Seychelles and when I come I observe changes in the country and in the people’s behaviour. This is all the inspiration I get. What I miss is seeing the Seychellois people’s reactions to the album because after releasing it here I went back to Reunion.

Does that mean you will be performing for your Seychellois fans?

I would love to! It’s an idea I am working on, especially a show on Mahé since I have already performed on Praslin. I have noticed that I have many fans on Mahé, so I need to perform for them.

Since you live in Reunion, how do you promote your songs in the Seychelles?

Whenever I produce an album I come to the Seychelles to release it. I also come down if there are other activities like family events that I have to participate in.

Do you think a singer can make a career in music in the Seychelles?

In the Seychelles, probably not, as the money you are expect is not easy to come by, especially to cover the cost of producing songs. If you are doing it as a pastime then it’s okay. If you are solely relying on music for an income, you will find yourself short of cash very often because producing music in the Seychelles costs a lot of money.

What is your advice to aspiring singers?

Someone who wants to become a singer in the Seychelles needs to know exactly what they want to achieve and what kind of music they want to do. Commercial songs are easier to make. If you want a good, positive product it costs and you need to put your heart in it.

So what’s next for Benting the singer?

There are a few projects that I am working on, especially for promoting my songs in the regions.

This article was first published in Seychelles News Agency.

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