NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Sinner: Adekunle Gold and Simi and the art of monetising marriage

23 Jul 2021 - 18:04

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Yesterday, I noticed clips from Adekunle Gold’s new music video were getting heavy attention across social media. It’s easy to see why: it showed tastefully intimate exchanges between the man and his equally talented spouse, Simi

Adekunle Gold and Simi.

Unlike some of their colleagues, their individual rise to fame wasn’t exactly via social media, but everybody plays the game these days and they understand that, together, they have something regular people don’t have: If everybody else has to figure out their photogenicity or their talent or their talent for controversy, the already famous person has an extra thing to exploit: their real lives – or an approximation of it. It hardly matters if it’s faked.

They also have something their colleagues don’t have. They are a married couple at the height of their fame. When a few years ago, Wizkid exploited his alleged affair with Tiwa Savage by having Tiwa Savage and himself in languid, intimate choreography in the video for ‘Fever’, social media exploded. The element of “taboo” (she’s older and they’re unmarried) ensured that the video attracted an obscene level of attention.

By contrast, Adekunle Gold and Simi are married – which means their union is endorsed by society but that does nothing to slake the public’s thirst for a look inside a famous marriage. They have provided a semblance of it from time to time on their social media accounts and exchanges. But once in a while, they approach the matter as professionals aware of their fame. So that, for a couple that refused to publicly acknowledge their dating and kept their wedding ceremony away from their fans for a while, they have been exceptionally forthcoming about their marriage when it suits them. The first major professionalising of their union came with the release of ‘Duduke’, Simi’s song for their then-unborn child. The streams went through the roof. On her YouTube account, the video for ‘Duduke’ is the most viewed; the video in second place is twenty million views behind. Matrimony, you could definitely say, has been exceptionally good for business.

It remains to be seen whether the video for Adekunle Gold’s ‘Sinner’, which is a song about lust, would be as profitable. It probably doesn’t need to be, given that a day after its release, it is the second video on YouTube’s music trending list in Nigeria. As far as metrics go, that is already indicative of success. The impressions on social media must be ridiculously high as well. They would be right to pomp some champagne.

‘Sinner’ is a blissful slow-burn jam, it features a four-time Grammy nominee (Lucky Daye) and anyone who attended Sunday school would notice that the lyrics are an impressive interpretation of King David’s infatuation with Uriah’s wife, Bathsheba – but none of that is why clips from the video have gone viral. Adekunle Gold and Simi know this – as do the many people who have now cumulatively seen the view more than two hundred thousand times. “Marriage requires hard work,” they say. “Famous marriages require even harder work.”

Well, thank God the pay is good.

Artist: Adekunle Gold, Lucky Daye
Song: Sinner
Label: Afro Urban/Platoon
Year: 2021

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