NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Six stages of free music at this year’s Fête de la Musique in Johannesburg

31 May 2016 - 14:22

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The fifth edition of the Fête de la Musique is set to take place on Saturday 18 June at Newtown Junction in downtown Johannesburg.

Zanmari Baré and his band from Reunion. Photo: Facebook

Last year over 6000 people gathered to enjoy this celebration of music in all its forms, as well as dance and street performance. In 2016, six stages will be set up to offer a wide panel of free shows. This edition represents a new opportunity to encourage local musicians and discover new ones from around the world.

The event is hosted by the Alliance Française of Johannesburg, the French Institute of South Africa (IFAS) and the Bassline, with support from French oil and gas multinational Total. Launched in 1982 by the French Ministry for culture, the Fête de la Musique is held in more than 100 countries all over the world. It usually takes place every 21 June, to mark the summer solstice in the northern hemisphere. In South Africa the first Fête was inaugurated in 2010 in Port Elizabeth. The second took place the following year in Johannesburg.

Following a call for artists earlier this year, the organisers of the Fête de la Musique has revealed an exciting line-up of artists from all over the world.

Zanmari Baré and his band play maloya, the folk music of Reunion Island. Baré's golden voice sings in Reunion creole, an offspring of French and African, Malagasy and Indian tongues.

A natural virtuoso who feeds off his many collaborations, Daniel Mille from France is an exceptional accordion player and composer whose melodical perfection and poetic world are awe-inspiring. As part of his tour in South Africa, he will also present his duet with clarinettist Stéphane Chausse and perform with SA and Dutch prominent artists at the Standard Bank Grahamstown Jazz Festival.

Vaudou Game is a six-piece band led by charismatic Togolese frontman Peter Solo spreading the spiritual and musical heritage of Voodoo culture. The strive for authenticity and the analog sound of Apiafo, their first album, does not mean that Vaudou Game is looking backwards. This is Togolese funk that has perhaps never before explored its ancient roots so deeply and proudly. The band was one of the highlights of the recent MTN Bushfire fest in Swaziland and also recently performed at the Africa Day concert in Johannesburg.

Jess & Crabbe is a duo of French DJs/producers. Since 2010, they’ve also run Bazzerk, a label and multi-form entertainment project and have been influential in the emergence of Kuduro in Europe, the US and Japan. They have also become masters at the art of blending upfront innovative dance music from everywhere on the globe in order to generate a unique dance experience.

The local artists performing at this year’s Fête de La Musique’s promise to be as diverse and powerful as the international line-up, with established such as Blk Jks, Bombshelter Beast, Guy Buttery, Nono Nkoane and UJU performing alongside exciting upcoming talent in the form of Ndyebo, Academie, Urban Village, Unity Band, Watching Over Africa, FingerPrint5, Black South Easter, Ben Dey & The Concrete Lions, Iphupho L’ka Biko, Kevin and The Love World and Kinsmen.

Representing other countries in the Southern African region will be Lesotho’s Morayks, Hellen Dikobe from Botswana and DRC-born, SA-based Mapumba Cilombo.

French-South African exchange platform ParisSoweto has put together a special playlist in the run-up to the event, featuring tracks by the participating artists.

[audio:https://soundcloud.com/parissoweto-playlist-project/sets/parissoweto-vol-6-fete-de-la-musique-joburg-2016 autoplay:0]

For the full programme and more details, visit the Fête de la Musique website or Facebook page.

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