NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

The Soil deliver heavenly performance in Nairobi

07 Aug 2018 - 16:01

cc-img flag-img

South African a capella trio The Soil warmed up a capacity crowd with mesmerising Soweto harmonies at J’s Fresh Bar & Kitchen in Nairobi on 4 August.

The Soil.

Roots International boss Abdi Rashid Jibril introduced the trio to the crowd about 10pm by giving the attendees a brief history of the group and highlighting a few of their achievements. At that moment, the crowd had already begun building up around the relatively modest stage.

“I would like to ask that we all move back and as the performance builds up then we can move to the dance floor,” Jibril told a rather steamed-up crowd as dozens held up their mobile phones to capture videos of The Soil getting onstage.

The Soil, comprising Buhlebendalo 'Soil Sister' Mda, Ntsika 'Fana-tastic' Ngxanga and Luphindo 'Master P' Ngxanga, started off the show with a twist, their opening number ‘Unspoken Words’ dedicated to a couple in the crowd.

“We had another song we wanted to start with but we were asked to do ‘Unspoken Words’ as a special dedication to newlyweds somewhere in the room. Apparently that song was their wedding song,” Soil Sister said.

The nostalgia continued with ‘Celebrate’, which was so rhythmically animated that it brought the kind of fire and energy reminiscent of the great South African a capella group, Ladysmith Black Mambazo.

A section of the crowd had already begun to move closer to the dance floor, which was in line with the lyrics delivered by Fana-tastic. “Calling all the nations and everyone from different races / Stand up and make some changes for a better human nation,” he sang.

After ‘Celebrate’, it was time to introduce the group. “We are originally from heaven, born in Soweto, destined to triumph all over the world,” Soil Sister said.

The group then went on and kept it up-tempo and humorous with hits like ‘Kofifi’, ‘Sunday’, ‘Lokutshona’, ‘Lizzy’ and ‘Bomba’, which showcased the group's incredible vocal prowess. The lead-singing duties alternated between the three to demonstrate the joint nature of The Soil's make-up. The grand vocal interaction of rhythm, melody, counter-melody and harmonies continued and by the end of the concert, the group had delivered 13 songs sung in their mother tongue.

This, however, had no effect on the audience’s level of pleasure, especially the ladies whose screams got louder and louder every time Master P showed his masculine beatboxing skills accompanied by harmonic basslines.

Fana-tastic and Soul Sister's effortless high notes also left the audience breathless and caused everyone to cheer and clap enthusiastically.

Diverting away from their popular songs, a standout single on the setlist was ‘Asante’ (Thank You). Fana-tastic said the song was written for African countries like Kenya, Botswana and Tanzania, which had offered refuge to South Africans who were exiled there during apartheid.

“This is a song that we sing for everyone that was against apartheid. We simply say, thank you. When the likes of Nelson Mandela and Albert Luthuli were exiled, they were actually home. We hope you can use your hearts and souls to listen to it.”

The hit ‘Suzan’ ended the concert with the group hugging several fans and leaving people energised and satisfied.

By 11.30pm, The Soil Live in Nairobi concert had proved that one's voice is enough to make music and move a crowd.

The concert also featured Kenya's Box of Beats as the opening act. Comprising rapper and beatboxing guru Checkmate Mido and guitarist Kevin Munyi, the duo performed original compositions and a capella versions of popular tunes. The addition of Swahili slang to their performance created a carefree and fun atmosphere for the audience.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media