NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

The Soil – ‘Nostalgic Moments’

09 Dec 2015 - 12:58

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Artist: The Soil
Album: Nostalgic Moments
Label & Year: Native Rhythms, 2014

The Soil – ‘Nostalgic Moments’

The Soil is a South African acapella trio whose music is a blend of contemporary township style and an eclectic mix of urban contemporary beatbox and soul. Since the release of their self-titled, double-platinum selling debut album in 2011 and the live follow-up Reflections: Live in Johannesburg in 2013, the group has won the hearts and minds of the musical world, receiving recognition, awards and critical acclaim from fans not only in South Africa but stretching across Europe, North America and Asia. Indeed The Soil has proven to be one of the few young South African bands capable of holding their own on the continent and beyond.

The band has also earned a loyal following across the globe, performing in 2013 for example at the Edinburgh Festival and the prestigious Apollo Theater in New York. In mid-2014 they toured England, Russia (including winning the White Nights of St. Petersburg International Music Competition) and China. In July 2015 the band’s hard work paid off with an exclusive UK distribution deal for the album with Proper Music Distribution, as well as support from leading booking agencies, Serious, who helped get them to perform at the Womad festival in the UK in July.

The Soil now returns with Nostalgic Moments, drawing its influence and strength from the sounds and music of the Sophiatown era, a centre of urban South African music and culture (before apartheid-era forced removals) that was instrumental in the enrichment local performance culture. Defined as ‘Kasi Soul’, the group’s music features an eclectic mix of genres, such as jazz, hip hop, Afro-pop and soul.

The group’s musical style is unique, as is evident on this album, and is characterized by rhythmic vocal basslines and constant beatboxing, while the remaining voices contribute to the choral and polyphonic accompaniment. The recording on this album continues with the group’s tradition of each member taking a solo vocal performance to display their most beautiful rendition of the melodic verses embedded in each song.

The platinum-selling album is one of the most popular in the country for 2015. Nominated for Record Of the Year (as well as Duo or Group of the Year and Best RnB/Soul/Reggae Album) at the SAMAs, the trio eventually lost out to Beatenberg. In June 2015 the band was nominated at the BET Awards in the US for Best International Act: Africa, alongside far more commercial acts in the form of AKA, Fally Ipupa (Dr Congo), Sarkodie (Ghana), Sauti Sol (Kenya), Wizkid (Nigeria), Yemi Alade (Nigeria) and eventual winner Stonebwoy (Ghana).

To The Soil, this album is the fruition of an ambitious vision, with music laced with ingenuity and intellectualism inspired by Sophiatown’s legacy lived yesterday, today and into the future. Watch out for hit tracks such as ‘Ndibambe Kanje’, ‘Hamba Uyosebenza’ featuring Grammy winners Ladysmith Black Mambazo, ‘We Are One (Celebrate Humanity)’ and ‘Susan’ featuring Khuli Chana, just to mention a few.

With Nostalgic Moments, The Soil continues on their quest to fuse their voices to deliver melodic and harmonious messages that are aimed at uplifting and healing souls all around the world and for all to enjoy. Rooted in Afro-centricity, the trio has carved a niche for themselves by expressing the fusion of cultures and genres that make up South Africa, never afraid to tap into nostalgia despite the pain of the past.


Buy the album from iTunes here.

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