NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Somali Week Festival to be held in the United Kingdom

19 Oct 2015 - 13:35

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Somali Week Festival, dedicated to art forms and spaces at risk of being lost or pushed to the margins, is set to take place between 23 October and 1 November. Oxford House, Derbyshire Street, London and various other venues will be hosting the festival. Aar Maanta, acclaimed voice of a new generation of Somali musicians in the UK, performs 25 October.  

Aar Maanta during a live performance. Photo:www.waryapost.com

A panel discussion on ‘Art at Margins’ holds before Aar Manta's evening performance . Writer and scholar Barwaaqo and theatre director Abdidhuh Yusuf will engage in a conversation on the topic of space, reflect on the work and what the future holds for the Somali language, music and theatre.

Lyrically, Aar Maanta’s songs are written in the traditional Somali poetic form using allegory and alliteration to address issues of relevance to Somali immigrants. As a result, Ahmed ‘Hudeydi’ Ismail Hussein, a master oud player and one of Somali music’s greatest composers as well as Hassan Aadan Samatar, an iconic lead singer of Somalia’s now defunct national theatre Waaberi band, have endorsed Aar’s music as the bridge that links the old musical generation to the new one.

SWF is an integral part of Black History Month and offers the best of Somali arts and culture, both old and new. On 23 October, Maxamed BK a Somali vocalist, songwriter and music composer, and the lead singer of Xidigaha Geeskar will stage his first concert during the launch of the weeklong festivities. The son of one of the most popular folklore dancers, Said Erigawaabi, and since early childhood Maxamed followed in the footsteps of his father learning how to play the oud and developing a passion for the arts and culture. It was when he moved to Hargeysa, where he gained widespread popularity. Now a solo artist in his own right, he is a regular feature across Somali televisions and radio stations, and also a firm favourite at concerts.

Among other artists expected to perform during the Somali Week Festival is Sahra Ilays a talented vocalist and folklore dancer. Sahra began her musical career as vocalist of the iconic band Waaberi, the most popular band in Somali history. She is now an established solo singer and regularly duets with Maxamed BK.

Daud Ali Masahaf is another visiting artist, lute player and vocalist from Mogadishu who now resides in Djibouti. Masahaf is one of the greatest Somali lute players and has had the privilege of performing with legends like Magool, Khadra Daahir and Mandeeq. With 40 years of experience under his belt, he has upheld the tradition of lute playing throughout thevchanging faces of the Horn. Young musical talents: Kaltuun Bacado, Macalow and Mohamud Omar are also expected to perform on the closing night of the Somali Week Festival.

The Somali Festival is an opportunity for artists to continue to explore alternative creative outlets for their work while also looking at ways of reviving traditional spaces that are vastly disappearing. Furthermore, the festival will be a space to investigate creative forms of collaboration amongst artists of different ages and levels of experience. The festival promises to provide a platform for the artists to share practices and to discuss, interact and work together.

The full Somali Week Festival program is available here.

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