NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Sona Jobarteh, Guy One, Binhan to perform at Africa Oyé

26 Feb 2018 - 15:18

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Gambia’s Sona Jobarteh has been announced as part of the line-up for the 2018 edition of the UK’s Africa Oyé festival.

Sona Jobarteh will be performing at the 2018 Africa Oyé festival. Photo: SJ

The annual event will take place at Sefton Park, Liverpool, on 16 and 17 June. The festival moved to Sefton Park in 2002 but was first held in 1992.

“Sefton Park will once again be taken over by the music and culture of Africa and the diaspora for two free days of fantastic live music, DJs, dance, workshops, food stalls and a range of traders in the Oyé Village,” the organisers, who have made public the first batch of artists for this year’s festival, said.

Among those billed to perform is Binhan from Guinea Bissau. “His committed and realistic lyrics, whilst political crises dominated the news of his home country, resonated with audiences far and wide,” a festival statement says. “Binhan’s reputation has now grown to the point where he can count the likes of Joss Stone and cult band Super Mama Djombo amongst his collaborators.”

Also performing is Ghana’s Guy One, a traditional music artist who plays the kologo. Described as “a man who brings a unique sound from Ghana”, Guy One has played concerts around the world, and in 2016 performed in Lagos along with the German occasional Afrobeat band Polyversal Souls.

“Guy built up a fervent following in local villages amongst the Frafra people in northern Ghana, in which no funeral or wedding would take place without his soaring voice and deeply rhythmic playing,” the statement said.

While Guy One and Binhan might be unknown to the regular African Oyé crowd, Jobarteh will be familiar only to some members of the audience. The kora-playing artist performed at the festival on a rainy day in 2016.

A statement from the festival hails Jobarteh as “a modern-day pioneer in an ancient, male-dominated hereditary tradition that has been exclusively handed down from father to son for the past seven centuries”. She is also touted as having “modernised the presentation of kora music and brings a rhythmic edge to her compositions that fits with her remarkable voice".

Speaking about the trio of artists, artistic director of the festival Paul Duhaney said: “It’s been far too long since we had an artist from Guinea-Bissau so Binhan’s appearance will be a perfect way to remedy that.”

“Sona deserved a far bigger audience than she had on a rain-soaked day a couple of years ago, so we’re really pleased to be able to bring her back. And Guy One is one of those musicians who is a true master of his art. His set is going to be something really special.”

Entry to the Africa Oyé festival is free.

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