NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

South African indigenous musician Madosini dies

24 Dec 2022 - 15:10

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South African cultural icon Latozi Mpahleni, better known as Madosini, has died.

The late Latozi ‘Madosini’ Mpahleni.

The revered indigenous musician, who would have been 79 on Christmas Day, passed away on Friday 23 December at St Mary’s Hospital in Mthatha, Eastern Cape, after battling various ailments, her family said.

“Having survived a heart attack while she was on a tour in France in 2019, as well as two COVID-19 attacks, her health status could not be back to its normalcy, as a result from time to time she was admitted to hospital,” a statement reads. “She was admitted to St Mary’s Hospital on 3 December 2022 where she subsequently succumbed to death at 4.15pm on 23 December 2022.”

Madosini has been described as a guardian of traditional Xhosa music and was hailed in Africa and around the world for her mastery of the uhadi (music bow), umrhumbe (mouth bow) and isitolotolo (jaw harp) instruments. After making a few great but obscure recordings in the mid-1970s, she disappeared into the then Transkei region. In 1995, she was visited by Amampondo founding members Dizu Plaatjies and Mzwandile Qotoyi, who invited her to work together on an indigenous album comprising Amampondo members and Cuban master Congalero Changuito.

Her solo album Power to the Women, released in 1998, placed her among the world music stars of the day. In 2008, she was the first person to be recorded and documented for WOMAD festival’s Musical Elders Archives project, and in early September 2022, Madosini received an honorary doctorate degree from Rhodes University for her “sustained and exceptional contribution in the Xhosa culture, through the preservation and popularising of the isiXhosa musical bows uhadi and umrhubhe.”

“My mother was a loving person and enjoyed sharing her knowledge of indigenous music with everyone,” her daughter, Phumza Mpahleni, was quoted as saying by Sowetan Live. “But she was worried that if she dies, indigenous music will die in this country. That is why she wanted everyone to come and get that knowledge from her.”

Madosini’s family said the musician’s funeral would be held in her homestead in Mkhankatho Administrative Area in Libode, about 42km from Mthatha, and added that the date of the ceremony would likely be 7 January.

Tributes have been pouring in after the legend’s death, including from the South African Department of Sport, Arts and Culture, the Southern African Music Rights Organisation and Concerts SA.

“We are devastated to hear of the passing of Dr Latozi ‘Madosini’ Mpahleni,” the National Arts Festival wrote on Facebook. “A legendary South African musician who would always regale her audience with naughty anecdotes and jokes between her hauntingly beautiful pieces ... We wish her loved ones, followers and fans our condolences and take heart that together we have the many recordings and treasured moments collected over her astonishing career. An extraordinary artist from a different time and place who brought her gifts to the world. Thank you Madosini, rest well.”

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