NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

South African Music Awards 2025: All the winners

15 Dec 2025 - 09:23

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The 2025 South African Music Awards were held at Gallagher Estate in Johannesburg on 13 December, with Goldmax and Thandiswa Mazwai securing major titles alongside multiple category wins.

Goldmax took home three awards.

Goldmax claimed Album of the Year for Play At Your Own Risk, which also won Best Gqom Album. The release further underpinned his success on the night as he was named Male Artist of the Year, marking one of the strongest showings at the ceremony.

Thandiswa Mazwai was another standout, receiving Female Artist of the Year for Sankofa. The album also earned Best African Adult Contemporary Album, Best Engineered Album, and Best Produced Album, consolidating her position as one of the evening’s most decorated artists.

In the group categories, Black Motion took Duo or Group of the Year for Takala, which also won Best Collaboration. The award highlighted the duo’s continued influence in collaborative and cross-genre projects.

The Newcomer of the Year award went to Nontokozo Mkhize for Lindiwe, which was also recognised as Best Contemporary Faith Music Album, signalling a strong debut on the national stage.

Beyond the headline awards, the ceremony recognised achievement across a wide range of genres. Sjava won Best Afro Pop Album for Isibuko (Deluxe), while Kelvin Momo received Best Amapiano Album for Ntsako. Dlala Thukzin was awarded Best Dance Album for Finally Famous Too, and 25K secured Best Hip Hop Album for Loyal To The Plug: The Life & Times of Don Kilograms.

Other genre winners included Khuzani (Best Maskandi Album) for Angidlali Nezngane, Elaine (Best R&B/Soul Album) for Stone Cold Heart, and Luwe Da Lion (Best Reggae Album) for After All. Spoegwolf won Best Contemporary Music Album for Eindbestemming, while Francis Soul claimed Best Alternative Album for Hindsight 2020.

In the technical categories, Shekhinah won Best Produced Music Video for Risk, and Mpho.Wav received Remix of the Year for Hlala. Derek Gripper was recognised in the Best Classical/Instrumental Album category for Ballaké Sissoko & Derek Gripper.

Faith and traditional music were also represented, with Ayanda Ntanzi winning Best Traditional Faith Music Album for According to Grace, A One Man Show, Takie Ndou taking Best Contemporary Faith Music Album for The Glory, and JTG Gospel Choir winning Best African Indigenous Faith Album for Morena Re Ya Leboga. Makhadzi Entertainment received Best Traditional Music Album for Miracle Child (Deluxe).

Special Category Winners

Male Artist of the Year

  • Goldmax — Play At Your Own Risk

Female Artist of the Year

  • Thandiswa Mazwai — Sankofa

Duo or Group of the Year

  • Black Motion — Takala

Album of the Year

  • Goldmax — Play At Your Own Risk

Newcomer of the Year

  • Nontokozo Mkhize — Lindiwe

Genre & Technical Category Winners

Best Adult Contemporary Album

  • Melanie Scholtz — Seven

Best African Adult Contemporary Album

  • Thandiswa Mazwai — Sankofa

Best Afro Pop Album

  • Sjava — Isibuko (Deluxe)

Best Alternative Album

  • Francis Soul — Hindsight 2020

Best Amapiano Album

  • Kelvin Momo — Ntsako

Best Classical/Instrumental Album

  • Derek Gripper — Ballaké Sissoko & Derek Gripper

Best Collaboration

  • Black Motion — Takala

Best Dance Album

  • Dlala Thukzin — Finally Famous Too

Best Engineered Album

  • Thandiswa Mazwai — Sankofa

Best Gqom Album

  • Goldmax — Play At Your Own Risk

Best Hip Hop Album

  • 25K — Loyal To The Plug: The Life & Times of Don Kilograms

Best Jazz Album

  • Peter Auret — Hope Dies Last

Best Maskandi Album

  • Khuzani — Angidlali Nezngane

Best Produced Album

  • Thandiswa Mazwai — Sankofa

Best Produced Music Video

  • Shekhinah — Risk

Best R&B / Soul Album

  • Elaine — Stone Cold Heart

Best Reggae Album

  • Luwe Da Lion — After All

Best Rock Album

  • MaxX & Love — These Blues Might Get You Too

Best Traditional Faith Music Album

  • Ayanda Ntanzi — According to Grace, A One Man Show

Best Traditional Music Album

  • Makhadzi Entertainment — Miracle Child (Deluxe)

Best Contemporary Music Album

  • Spoegwolf — Eindbestemming

Remix of the Year

  • Mpho.Wav — Hlala

Rest of Africa Award (South Africans Excluded)

  • Ayra Starr — The Year I Turned 21

Best African Indigenous Faith Album

  • JTG Gospel Choir — Morena Re Ya Leboga

Best Contemporary Faith Music Album

  • Takie Ndou — The Glory

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