NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

South African rapper AKA shot dead in Durban

11 Feb 2023 - 00:27

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South African rapper AKA was shot dead in front of a Durban restaurant in South Africa on Friday 10 February.

The late AKA. Photo: Twitter

According to media, the ‘Lemons (Lemonade)’ hitmaker was killed along with his friend Tebello ‘Tibz’ Motsoane by two gunmen in front of the Wish restaurant in Florida Road. Graphically disturbing CCTV footage is circulating on social media showing the rapper being shot in the head point-blank from behind while saying goodbye to his friends outside the restaurant. AKA, who was scheduled to release his 14-track Mass Country album on 24 February, was reportedly booked to perform at a night club in the coastal city as part of his birthday celebrations.

“It is with extreme sadness that we acknowledge the passing of our beloved son, and confirm his untimely and tragic passing on the evening of February 10, 2023,” AKA’s parents, Tony and Lyn Forbes, said in a statement. “We are awaiting further details from the Durban police. In this time of grief we appeal for your compassion, space and time to congregate as family to decide on the upcoming days.”

Artists and music industry players took to social media to convey their condolences following news of the artist’s passing.

“In this sorrowful time SAMRO extends its last respect to Kiernan ‘AKA’ Forbes,” the South African Music Rights Organisation wrote on social media. “The music industry is saddened by his passing, he contributed immensely to the South African music industry. Condolences to his family, friends & industry colleagues in this dark time.”

Sony Music Entertainment Africa managing director Sean Watson said in a statement: “Our hearts are broken. We’ve lost not only an icon but someone who was dear to us as a member of the Sony family. Our thoughts and prayers are with his loved ones today. All of us at Sony Music convey our deepest sympathies and condolences to his family, friends, the Megacy and South Africa.”

South African rapper Da L.E.S wrote “Unbelievable” along with a heartbreaking emoji, while local TV host Jennifer Su wrote: “Devastated at the passing of AKA. Condolences to his family, friends and fans. We were co-presenters at the South African Music Awards (SAMAS) and I will always cherish our special time together.”

Zimbabwean rapper Kikky Badass wrote: “AKA’s untimely death is very sad and heartbreaking. Just like that? While having been booked for a show and birthday celebration. My deepest, most heartfelt condolences to his family and friends and Miss Nadia Nakai.”

Born Kiernan Jarryd Forbes on 28 January 1988, AKA was raised in Cape Town, where he gained notable popularity after releasing his single ‘Victory Lap’ off his 2011 debut studio album, Altar Ego. He worked with local artists including Nasty C, Anatii, Khuli Chana, K.O., Yanga, Da L.E.S, ProKid and JR. His success continued with the release of albums such as Levels (2014), Touch My Blood (2018), Bhovamania (2020) and Be Careful What You Wish For (2017) with Anatii.

AKA won several accolades at the South African Music Awards, African Muzik Magazine Awards, MTV Africa Music Awards, South African Hip Hop Awards, Metro FM Music Awards, Nickelodeon Kids’ Choice Awards and the Namibia Annual Music Awards.

This story was updated for accuracy at 6.30pm on 11-02-23.

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