NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Spotify Wrapped: Asake is most streamed Nigerian artist of 2023

30 Nov 2023 - 07:53

cc-img flag-img

Spotify has unveiled Wrapped, its annual recap of the most successful songs and artists on the streaming platform, with Asake ending the year as the most streamed Nigerian artist. 

Asake has ended 2023 as the most streamed Nigerian artist.

The singer, who is nominated at the 66th Grammys early next year, also claimed the No 1 position in other West African countries such as Ghana and Togo. Asake’s dominance continued in the top 10 most streamed tracks, with three of his hits – ‘Lonely at the Top’, ‘2:30’ and ‘Amapiano’ – making the cut. He is also the most streamed artist among Nigerian and Ghanaian Gen Z listeners.

Fellow Grammy nominee Ayra Starr retained last year’s position as the most streamed female artist in Nigeria, Ghana, Kenya, Rwanda, Tanzania and Uganda.

‘Calm Down’ star Rema rounded off the year as the most globally exported African artist, particularly propped by the Selena Gomez-assisted remix of that song, which this year became the first African-led single to reach a billion streams on Spotify. The song is also the first by a Nigerian Afrobeats artist to feature in the top 10 chart of most streamed recordings globally on Spotify.

Wrapped data reveals a surge in the demand for local music in Nigeria with a remarkable 284% growth in consumption, while female artists experienced a 150% increase in average streams year-on-year. In terms of searches, Rema led his contemporaries, while Burna Boy secured the top positions for both the most searched and most viral artist. Asake’s ‘Lonely at the Top’ claimed the first spot for the most viral tracks.

“Nigeria is a hotbed of musical talent and we’re incredibly proud to showcase the diversity and passion of Nigerian music lovers through Wrapped,” Spotify’s head of music for sub-Saharan Africa, Phiona Okumu, said. “This year’s Wrapped is a testament to the power of music to connect people and bring them closer to the culture and traditions of Nigeria.”

Months ago, Spotify revealed that revenues generated by Nigerian artists on its platform reached ₦11bn in 2022, adding that the development formed part of a larger trend where Nigerian music industry revenues saw a 63% growth from 2021 to 2022, according to the International Federation of the Phonographic Industry. During the same period, revenue generated exclusively from Nigerian artists on the platform saw a 74% increase, and Nigerian artists earning over ₦5m in royalties from Spotify grew by almost 25%.

Most streamed artists in Nigeria

  1. Asake
  2. Burna Boy
  3. Davido
  4. Seyi Vibez
  5. Omah Lay
  6. Bnxn
  7. Rema
  8. Odumodublvck
  9. Olamide
  10. Wizkid

Most streamed female artists in Nigeria

  1. Ayra Starr
  2. Tiwa Savage
  3. Tems
  4. Rihanna
  5. SZA
  6. Billie Eilish
  7. Nicki Minaj
  8. Doja Cat
  9. Libianca
  10. Mercy Chinwo

Most streamed tracks in Nigeria

  1. ‘Lonely at the Top’ by Asake
  2. ‘Gwagwalada’ by Bnxn ft. Kizz Daniel & Seyi Vibez
  3. ‘Feel’ by Davido
  4. ‘2:30’ by Asake
  5. ‘reason’ by Omah Lay
  6. ‘Party No Dey Stop’ by Adekunle Gold and Zinoleesky.
  7. ‘soso’ by Omah Lay
  8. ‘Declan Rice’ by Odumodublvck
  9. Kante by Davido ft. Fave
  10. ‘Amapiano’ Asake and Olamide

Most streamed albums in Nigeria

  1. Timeless by Davido
  2. Work of Art by Asake
  3. Boy Alone by Omah Lay
  4. Eziokwu by Odumodublvck
  5. I Told Them by Burna Boy
  6. Rave & Roses Ultra by Rema
  7. Mr. Money with the Vibe by Asake
  8. Sincerely, Benson by Bnxn
  9. Love, Damini by Burna Boy
  10. Unruly by Olamide

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media