NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Stars pay tribute to late Malian kora player Toumani Diabaté

22 Jul 2024 - 09:33

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West African music stars have paid tribute to the late Malian kora player Toumani Diabaté who passed away on 19 July at the age of 58.

The late Toumani Diabaté.

According to French news agency AFP, Diabaté died at a private clinic in the capital Bamako after a brief illness.

“My dear dad is gone forever,” the Malian great’s son Sidiki Diabaté is quoted by AFP as writing on Facebook.

Diabaté has been hailed as a master of the West African stringed instrument, and some of the leading artists from the region took to social media to pay their tributes.

Senegalese music legend Youssou N’dour praised Diabaté as “a virtuoso of the kora and an unmatched musical arranger”, while Malian singer Oumou Sangare called him “a bridge between our ancestral traditions and modernity.” Salif Keita described his death as “the loss of [Mali’s] national treasure.”

Diabaté was born in 1965 to a family of griots – traditional storytellers who are the guardians of Mali’s traditions and oral histories.

A self-taught musician, Diabaté has been described as one of the most creatively prolific and successful musicians on the African continent. He enjoyed recognition for his contributions to the development of the kora and African music in general.

According to WOMEX, despite growing up in a musical environment, the artist never learned directly from his father except by listening. He began playing the kora at the age of five and at 13, he made his public appearances, before later joining Malian female griot Kandia Kouyatéin 1984.

In 2004, he received the Zyriab des Virtuoses, a UNESCO prize awarded at the Mawazine Festival in Morocco and the same year, he began working with World Circuit on a trilogy of albums recorded at sessions in the Mandé Hotel in Bamako.

The first release was In the Heart of the Moon album, recorded with Mali desert blues maestro Ali Farka Touré, which won the Best Traditional World Music Album Grammy Award. Second in the trilogy was Boulevard de l’Indépendance by Toumani Diabaté’s Symmetric Orchestra. The third was Ali Farka’s final solo album Savane. Diabaté accompanied Ali on his last concert tour in the summer of 2005 during which they spent three days in a London studio recording Ali and Toumani, the follow-up to In the Heart of the Moon, which also won a Grammy in 2011.

In March 2014 SOAS (the School of Oriental and African Studies awarded Diabaté an honorary degree of doctor of music in recognition of his influential work in raising awareness of the kora and the traditional music of Mali around the world. The award also recognised his contribution to the Mande scholarship, which Diabaté and his family have been involved with since the first Mande Studies Conference at SOAS in 1972.

Diabaté served as president and director of Mandinka Kora Productions, who actively promoted the kora through workshops, festivals, and various cultural events. He was also an instructor of the kora and modern and traditional music at the Balla Fasseke Conservatoire of Arts, Culture and Multimedia in Bamako.

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