NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Tanzania: Ongala Music Fest keeps it fresh with a savoury blend of old and new

11 Aug 2022 - 07:47

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By Charles Maganga 

Since its inception in 2018, Ongala Music Festival (OMF) has grown to become one of the most significant arts and cultural events in Tanzania.

Kenyan legend Peter Akwabi performing at the 2022 Ongala Music Festival at Silver Sands Hotel in Dar es Salaam. Photo: Omary Sadick

The huge and diverse crowds it attracts are not only out to enjoy themselves, but to pay homage to the man the festival has been named after: the late Tanzanian musician Remmy Ongala.

Variously described as a futurist, an activist, and even a cultural icon, Ongala’s contribution to Tanzania’s musical heritage will continue to be celebrated long after his demise. A pioneer of the local version of the soukous genre, Ongala is credited for revolutionising live performances and changing the outlook of Tanzanian music.

The festival, founded by the musician’s daughter Aziza Ongala, therefore, ensures that his legacy is honoured, if not always, at least once every year.

And the 2022 edition held on 5 and 7 August at Silver Sands Hotel on Kunduchi beach in Dar es Salaam lived up to Ongala’s vision – bringing together different African artists and fusing their different art forms and musical styles.

In keeping with the founding principles, the organisers assembled artists whose performances brought out Ongala’s musical vibrancy that had concert-goers totally absorbed.

The event showcased multi-generational talent, with artists such as Shabo Makota, Swahili Ally, Siti & The Band, Siti Muharam, and Ambasa Mandela, among others, sharing the stage with legends like Carola Kinasha and Peter Akwabi.

On the second night of the festival, Akwabi gave one of the most iconic performances. The Nairobi-based musician, who stepped out in a 90s-themed black outfit, brought his gravelly vocals and evocative lyrics, accompanied by the rich chords of a classical steel-string guitar, to the stage. His performance not only got the audience pumped up but served to remind fans like John Sadick, who travelled nearly 400 kilometres from Dodoma to Dar es Salaam, that the music of Remmy Ongala's era is still very much alive.

The personal anecdotes that Akwabi shared turned the concert into a symposium of sorts with the audiences getting to know more about Ongala in a way no other music festival could allow.

Like the previous editions, the 2022 OMF stage setup was tastefully done as ever, and the lighting made Kunduchi beach feel warm and welcoming even late at night. The festival's location out of town not only made the concert-goers temporarily forget Dar es Salaam's madding crowds and headache-inducing traffic jams but also made it possible for them to catch the beautiful sunsets while enjoying the soothing sounds.

OMF director Aziza Ongala said: “The 2022 OMF was a continuation of the journey we started in 2018, but in this year's event we spiced things up a little bit by adding a visual element using paintings and other artefacts that celebrate African culture.”

As expected, some members of Tanzania’s showbiz royalty were also in attendance. This writer got a chance to speak with Grace Matata, the award-winning Tanzanian singer who was part of the audience soaking up the carnival atmosphere.

The singer described Ongala as a giant of the Tanzanian music industry. “Remmy Ongala is one of the icons that set the stage and made it possible for other music genres such as bongo flava to flourish. Without Remmy [Ongala], we wouldn't even be here. We are standing on the shoulders of giants and he is one of the giants,” said Matata.

Adam Mchomvu, the host of XXL, a flagship music show on Clouds FM, could also be seen having a good time, as was leading music producer Ambrose Dunga who was spotted mingling with other music lovers.

Despite the minimal attention it receives from the country's mainstream media, the 2022 OMF lived up to its reputation and continues to remain one of the leading music events in Tanzania.

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